|
Author
|
Title
|
Volume |
#
|
Page
|
| Eaves, Morris | Blake as Conceived: The Endurance of S. Foster Damon |
21 |
4 | 132 |
| A Postscript: Blake's Abnormal Psychology |
9 |
4 | 121 | |
| Reproducing The Characters of Spenser's Faerie Queene |
8 |
3 | 86 | |
| Teaching Blake's Relief Etching |
13 |
3 | 140 | |
| Eldridge, Aethelred | Reply to Morris Eaves's Review of The Dick and Jane |
22 |
1 | 19 |
| Erdman, David V. | Blake's Terrible Easel |
1 |
4 | 8 |
| A Book to Eat |
15 |
4 | 170 | |
| The Bravery of William Blake |
10 |
1 | 27 | |
| Dating Blake's Script:
The "g" Hypothesis Postscript Response (G.E. Bentley, Jr.) |
3 3 3 |
1 2 2 |
8 42 43 |
|
| Errata Emendata: Second Printing, Erdman-Bloom ed., Poetry and Prose of William Blake |
1 |
3 | 11 | |
| Errors in the 1973 Edition of The Notebook of William Blake, and in the First Printing of The Illuminated Blake |
9 |
2 | 39 | |
| Errors in the Signet Edition of The Selected Poetry of William Blake |
11 |
1 | 37 | |
| Every Thing Has Its Vermin |
2 |
4 | 68 | |
| The Four Zoas: New Text for Pages 5, 6, & 7, Night the First |
12 |
2 | 96 | |
| Improving the Text of The Complete Poetry & Prose of William Blake |
20 |
2 | 49 | |
| Jerusalem 95: 2-20 |
2 |
3 | 49 | |
| Leonora, Laodamia, and the Dead Ardours |
14 |
2 | 96 | |
| Let the Dead Ardours Live! |
15 |
1 | 58 | |
| Night the Seventh: The Editorial Problem |
12 |
2 | 135 | |
| On the Newly Rediscovered Blake Letter |
1 |
4 | 12 | |
| Preface to the Revised Edition of Blake's Notebook |
11 |
1 | 21 | |
| Redefining the Texts of Blake (another temporary report) |
17 |
1 | 4-15 | |
| South Bounding! |
13 |
2 | 106 | |
| Essick, Robert N. | Blake and Kate Greenaway | 40.1 | summer 2006 | 44 |
| Blake at Auction 1971 |
5 |
3 | 183 | |
| Blake's "Enoch" Lithograph |
14 |
4 | 180 | |
| Blake in the Marketplace, 1972-73 |
7 |
3 | 52 | |
| Blake in the Marketplace, 1975 |
10 |
2 | 53 | |
| Blake in the Marketplace, 1976-77 |
12 |
1 | 26 | |
| Blake in the Marketplace, 1980-1981 |
16 |
2 | 86 | |
| Blake in the Marketplace, 1982-1983 |
18 |
2 | 68 | |
| Blake in the Marketplace, 1984 |
19 |
1 | 24 | |
| Blake in the Marketplace, 1985 |
20 |
1 | 12 | |
| Blake in the Marketplace, 1986 |
21 |
1 | 4 | |
| Blake in the Marketplace, 1987 |
22 |
1 | 4 | |
| Blake in the Marketplace, 1988 |
23 |
1 | 4 | |
| Blake in the Marketplace, 1989, Including a Report on the Recently Discovered Blake-Varley Sketchbook |
24 |
1 | 4 | |
| Blake in the Marketplace, 1990 |
24 |
4 | 116 | |
| Blake in the Marketplace, 1991 |
25 |
4 | 144 | |
| Blake in the Marketplace, 1992 |
26 |
4 | 140 | |
| Blake in the Marketplace, 1993, Including a Report on the Sale of the Frank Rinder Collection |
27 |
4 | 104 | |
| Blake in the Marketplace, 1994 |
28 |
4 | 120 | |
| Blake in the Marketplace, 1995, Including a Survey of Blakes in Private Ownership |
29 |
4 | 108 | |
| Blake in the Marketplace, 1996 |
30 |
4 | 100 | |
| Blake in the Marketplace, 1997 |
31 |
4 | 108 | |
| Blake in the Marketplace, 1998 |
32 |
4 | 92 | |
| Blake in the Marketplace, 1999 |
33 |
4 | 100 | |
| Blake in the Marketplace, 2000 |
34 |
4 | 100 | |
| Blake in the Marketplace, 2001 | 35 |
4 | 108 | |
| Blake in the Marketplace, 2002 | 36 |
4 | 116 | |
| Blake in the Marketplace, 2003 | 37 |
4 | 116 | |
| Blake in the Marketplace, 2004 | 38 |
4 | 124 | |
| Blake in the Marketplace, 2005 | 39.4 | spring 2006 | 148-82 | |
| Blake in the Marketplace, 2006 | 40.4 | spring 2007 | 116-46 | |
| Blake in the Marketplace, 2007 | 41.4 | spring 2008 | 140-63 | |
| Blake in the Marketplace, 2008 | 42.4 | spring 2009 | 116-46 | |
| Blake's 1812 Exhibition |
27 |
2 | 36 | |
| Blake's Job: Some Unrecorded Proofs and Their Inscriptions |
19 |
3 | 96 | |
| Blake, Linnell, and James Upton: An Engraving Brought to Light |
7 |
4 | 76 | |
| Corrigenda to Songs of Innocence and Experience [E] (Huntington Library, 2008) | 42.3 | winter 2008-09 | 111 | |
| Corrigendum to "A (Self?) Portrait of William Blake" | 39.4 | spring 2006 | 182 | |
| Dating Blake's "Enoch" Lithograph Once Again |
22 |
2 | 71 | |
| Errata: The Missing Portions of "Blake in the Marketplace, 1995, Including a Survey of Blakes in Private Ownership" |
30 |
2 | 62 | |
| The Figure in the Carpet: Blake's Engravings in Salzmann's Elements of Morality |
12 |
1 | 10 | |
| A Finding List of Reproductions
of Blake's Art Addenda Supplement An Expanded Finding List |
3 3 3 5 |
2 3 4 1/2 |
24 64 111 all |
|
| The Four Zoas: Intention and Production |
18 |
4 | 216 | |
| Handlist of the Huntington Blake Collection |
11 |
4 | 236 | |
| Jerusalem: Some Thoughts on Technique |
7 |
3 | 64 | |
| New Information on Blake's Illuminated Books |
15 |
1 | 4 | |
| The Printings of Blake's Dante Engravings |
24 |
3 | 80 | |
| A Relief Etching of Blake's Virgil Illustrations |
25 |
3 | 117 | |
| The Resurrection of America Copy R |
21 |
4 | 138 | |
| Some Unrecorded States, Printings, and Impressions of Blake's Graphic Works |
17 |
4 | 130 | |
| Songs Copy h |
15 |
1 | 58 | |
| A Supplement to The Separate Plates of William Blake: A Catalogue |
17 |
4 | 139 | |
| William Blake and John Marsh |
25 |
2 | 70 | |
| Essick, Robert N., with Thomas V. Lange | Blake in the Marketplace, 1978-79 |
14 |
1 | 4 |
| Essick, Robert N., and Rosamund A. Paice | Newly Uncovered Blake Drawings in the British Museum | 37 |
3 | 84 |
| Essick, Robert N., and Morton D. Paley | "Dear Generous Cumberland": A Newly Discovered Letter and Poem by William Blake |
32 |
1 | 4 |
| Essick, Robert N., and Joseph Viscomi | Blake's Method of Color Printing: Some Responses and Further Observations | 36 |
2 | 49 |
| An Inquiry into William Blake's Method of Color Printing | 35 |
3 | 74 | |
| Evans, James C. | Blake, Locke, and the Concept of "Generation" |
9 |
2 | 47 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
|
Fairbanks, A. Harris
|
Blake, Burke, and the Clanrickard
Monument
|
31
|
3
|
76
|
| Farwell, Brice | More Than Music Composed After Blake by Arthur Farwell |
11
|
2 | 86 |
| Feldman, Paula A. | Felicia Hemans and the Mythologizing of Blake's Death |
27
|
3 | 69 |
| Ferber, Michael | Blake for Children |
35
|
1 | 22 |
| Blake's "Jerusalem" as a Hymn |
34
|
3 | 82 | |
| Mars and the Planets Three in America |
15
|
3 | 136 | |
| The Orthodoxy of Blake Footnotes |
32
|
1 | 16 | |
| A Possible Source for "Thel's Motto" |
9
|
2 | 43 | |
| see Tolley, Michael, and Michael Ferber | ||||
| Ferguson, James B., Frank M. Parisi, and Michael Phillips | A Bibliography of Blake Scholarship in the United Kingdom, 1972-73 |
7
|
2 | 44 |
| Field, Marta see Candela, Gregory, Marta Field, and Foster Foreman |
||||
| Fitch, Donald | Blake Set to Music: Supplement 2001 |
35
|
2 | 40 |
| Fletcher, Ian, ed. | Todhunter's Lectures on Blake - 1874 |
8
|
1/2 | 4 |
| Folsom, L. Edwin | Nobodaddy: Through the Bottomless Pit, Darkly |
9
|
2 | 45 |
| Foreman, Foster see Candela, Gregory, Marta Field, and Foster Foreman |
||||
| Franson, J. Karl | The Serpent-Driving Female's in Blake's Comus |
12
|
3 | 164 |
| Freed, Eugenie R. | "In the Darkness of Philisthea": The Design of Plate 78 of Jerusalem |
32
|
3 | 60 |
| "Sunclad Chastity" and Blake's "Maiden Queens": Comus, Thel, and "The Angel" |
25
|
3 | 104 | |
| Frosch, Thomas R. | An Analogue to the "Greatest Men" Passage in The Marriage of Heaven and Hell | 40.3 | winter 2006-07 | 110-11 |
| Frost, Everett | A Checklist of Blake Slides |
9
|
1 | all |
| see Tayler, Edward, and Everett Frost |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Gabriella, Katharyn R. | Los's Visit [poem] |
12
|
4 | 266 |
| Gibson, William A., and Thomas L. Minnick. | William Blake and Henry Emlyn's Proposition for a New Order in Architecture: A New Plate |
6
|
1 | 13 |
| Glausser, Wayne | The Gates of Memory in Night VIIa of The Four Zoas |
18
|
4 | 196 |
| Milton and the Pangs of Repentance |
13
|
4 | 192 | |
| Gleckner, Robert F. | Blake and Fuseli in a Student's Letter Home |
6
|
3 | 71 |
| Blake's Illustration of the Third Temptation in Paradise Regained |
11
|
2 | 126 | |
| Blake's Miltonizing of Chatterton |
11
|
1 | 27 | |
| Blake's Swans |
15
|
4 | 164 | |
| Blake's "The Tyger" and Edward Young's Book of Job |
21
|
3 | 99 | |
| Priestley and the Chameleon Angel in The Marriage of Heaven and Hell |
13
|
1 | 37 | |
| W. J. Linton's Tailpieces in Gilchrist's Life of William Blake |
14
|
4 | 208 | |
| Goldstein, Laurence | Sermon by Mr. Blake, for S. Foster Damon |
1
|
3 | 5 |
| Gourlay, Alexander S. | Blake and Bonasone |
25
|
3 | 138 |
| An Emendation in "The Chimney Sweeper" of Innocence |
17
|
1 | 16 | |
| "Friendship," Love, and Sympathy in Blake's Grave Illustrations | 37 |
3 | 100 | |
| "Man on a Drinking Horse" A Print by Thomas Butts, Jr. | 37 |
1 | 35 | |
| A New Colored Copy of Night Thoughts at Smith College |
28
|
3 | 100 | |
| Philip D. Sherman's Blakes at Brown University |
28 |
3 | 94 | |
| Six Illustrations by Stothard |
25 |
3 | 135 | |
| Goyder, George | The Origins of the Blake Trust |
21
|
4 | 150 |
| An Unpublished Poem about Blake by William Bell Scott |
10
|
4 | 125 | |
| Grant, John E. | Blake's Designs for L'Allegro and Il Penseroso, Part II: The Meaning of Mirth and Her Companions |
5
|
3 | 190 |
| Discussing the Arlington
Court Picture Part I: A Report on the Warner-Simmons Theory Part II |
3 4 |
4 1 |
96 12 |
|
| On First Encountering Blake's Good Samaritans |
33
|
3 | 68 | |
| On Mary Ellen Reisnes's "Locations of Copy U of Songs of Innocence and Copy d of Songs of Innocence and of Experience" |
6
|
1 | 22 | |
| Recognizing
Fathers (a response to Connolly and Levine, PMLA 83: 257-64) Mothers of Invention, Father in Drag (a further response) Conc. |
1 2 2 |
2 2 3 |
7 29 50 |
|
| A Re-View of Some Problems in Understanding Blake's Night Thoughts |
18
|
3 | 155 | |
| Some Drawings Related to Blake's Night Thoughts Designs: The Coda Sketch and Two Pictures Not Previously Connected with the Series |
16
|
1 | 7 | |
| see Johnson, Mary Lynn, and John E. Grant | ||||
| Grant, John E., and Robert E. Brown | Blake's Vision of Spenser's Faerie Queene: A Report and Anotomy |
8
|
3 | 56 |
| Grant, John E., and Mary Lynn Johnson | Illuminated Books in the Cincinnati Art Museum |
7
|
2 | 40 |
| Grant, Phillip B. | A Possible Source for a Blake Sketch and Drawing |
10
|
3 | 85 |
| Graver, Bruce E. | A New Voice on Blake |
24
|
3 | 90 |
| Graziano, Frank | The Last Judgement (poetry) |
12
|
1 | 40 |
| Groves, David | Blake and the Edinburgh Literary Gazette - with a Note on Thomas De Quincey |
25
|
3 | 133 |
| Blake and the Edinburgh Evening Post |
26
|
2 | 51 | |
| Blake, The Grave, and Edinburgh Literary Society |
24
|
1 | 35 | |
| Blake, Thomas Boston, and the Fourfold Vision |
19
|
4 | 142 | |
| John Clerk, Esq. |
24
|
3 | 94 | |
| Blake, the Edinburgh Literary Journal, and James Hogg |
32
|
1 | 14 | |
| "This Class of Impostors": Robert Cromek's View of London Booksellers and Engravers | 40.1 | summer 2006 | 45 | |
| Gu, Jing-Yu | Unlisted Articles on Blake Published in China |
17
|
4 | 157 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Hagstrum, Jean H. | More on The Romantic Body |
21
|
1 | 16 |
| Richardson and Blake |
18
|
4 | 237 | |
| Haigney, Catherine | Vala's Garden in Night the Ninth: Paradise Regained or Woman Bound? |
20
|
4 | 116 |
| Reply to Andrew Lincoln |
21
|
2 | 77 | |
| Hamlyn, Robin | See Butlin, Martin, and Robin Hamlyn | |||
| Harding, Gunnar | His Own Poetry |
12
|
1 | 39 |
| Two Poems [trans. from the Swedish by Gunnel Tottie] |
12
|
1 | 39 | |
| Helms, Randel | Another Source for Blake's Orc |
15
|
4 | 198 |
| Henning, C. M. | Blake's Baptismal Font |
11
|
1 | 38 |
| Henry, Lauren G. | Sunshine and Shady Groves: What Blake's "Little Black Boy" Learned from African Writers |
29
|
1 | 4 |
| Heppner, Christopher | Another Cumberland Bibliography Addendum |
12
|
4 | 261 |
| Another "New" Blake Engraving: More About Blake and William Nicholson |
12
|
3 | 193 | |
| Bathsheba Revisited | 36 |
3 | 76 | |
| Blake and the Novelists |
15
|
4 | 198 | |
| Blake and The Seaman's Recorder: The Letter and the Spirit in a Problem of Attribution |
12
|
1 | 15 | |
| Blake's "The New Jerusalem Descending": A Drawing (Butlin #92) Identified |
20
|
1 | 4 | |
| The Chamber of Prophecy: Blake's "A Vision" (Butlin #756) Interpreted |
25
|
3 | 127 | |
| The Good (In Spite of What You May Have Heard) Samaritan |
25
|
2 | 64 | |
| The New Jerusalem Defended |
20
|
3 | 102 | |
| Notes on Some Items in the Blake Collection at McGill, with a Few Speculations around William Roscoe |
10
|
4 | 100 | |
| "Under the Hill": Tyndale or Bunyan? |
23
|
4 | 200 | |
| The Woman Taken in Adultery: An Essay on Blake's "Style of Designing" |
17
|
2 | 44 | |
| Herrstrom, David Stern | Blake's Transformations of Ezekiel's Cherubim Vision in Jerusalem |
15
|
2 | 64 |
| Hilton, Nelson | Blake and the Mountains of the Mind |
14
|
4 | 196 |
| Fellow Travelers . . . |
23
|
4 | 204 | |
| A Note on Cowper and A Poison Tree |
12
|
3 | 203 | |
| Pudendaddendum |
18
|
4 | 235 | |
| The Shock of the New Blake |
15
|
2 | 103 | |
| Some Sexual Connotations |
16
|
3 | 166 | |
| The Sweet Science of Atmoshperes in The Four Zoas |
12
|
2 | 80 | |
| "Under the Hill" |
22
|
1 | 16 | |
| www.english.uga.edu/wblake |
33
|
1 | 11 | |
| Hoagwood, Terence Allan | The Four Zoas and "The Philosophick Cabbala" |
12
|
2 | 87 |
| Hollis, Hilda | Seeing Thel as Serpent |
30
|
3 | 87 |
| Hoover, Suzanne R. | Fifty Additions to A Blake Bibliography |
5
|
3 | 167 |
| Pictures at the Exhibitions |
6
|
1 | 6 | |
| The Public Reception of Gilchrist's Life of Blake |
8
|
1/2 | 26 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Ide, Nancy M. | Image Patterns and the Structure of William Blake's The Four Zoas |
20
|
4 | 125 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Jackson, Mary V. | Additional Lines in Visions of the Daughters of Albion |
8
|
3 | 91 |
| Blake and Zoroastrianism |
11
|
2 | 72 | |
| Reply to Charu Sheel Singh |
21
|
1 | 16 | |
| James, G. Ingli | Some Not-So-Familiar Visionary Heads |
12
|
4 | 244 |
| Johnson, Mary Lynn | Blake's Engravings for Lavater's Physiognomy: Overdue Credit to Chodowiecki, Schellenberg, and Lips | 38 |
2 | 52 |
| Choosing Textbooks for Blake Courses: A Survey and Checklist |
10
|
1 | 8 | |
| The Devil's Syntax and the OED |
3
|
3 | 94 | |
| Observations on Blake's Paintings and Drawings (Based on Butlin's Catalogue Raisonné) |
16
|
1 | 4 | |
| see Grant, John E., and Mary Lynn Johnson | ||||
| Johnson, Mary Lynn, and Brian Wilkie | The Spectrous Embrace in The Four Zoas VIIa |
12
|
1 | 100 |
| Johnson, Mary Lynn, and John E. Grant | The Norton Critical Edition of Blake: Addenda and Corrigenda |
16
|
2 | 107 |
| Johnson-Grant, Mary Lynn | Mapping Blake's London |
10
|
4 | 117 |
| Jones, Edward Terry | Another Look at the Structure of The Marriage of Heaven and Hell |
10
|
4 | 115 |
|
Author
|
Title
|
Volume
|
#
|
Page
|
| Kamusikiri, Sandra | Blake and the Tradition of Lamentation |
24
|
2 | 59 |
| Kaplan, Marc | Jerusalem and the Origins of Patriarchy |
30
|
3 | 68 |
| Kauvar, Elaine | Los's Messenger to Eden: Blake's Wild Thyme |
10
|
3 | 82 |
| Kelley, Theresa M. | A Minute Particular in Blake's Songs of Innocence |
17
|
1 | 18 |
| Kent, Donald L. see Roti, Grant C., and Donald L. Kent |
||||
| Keynes, Geoffrey | Blake in the Provinces |
9
|
2 | 41 |
| The Blake Trust Gray Catalogue and the Blake Trust Facsimiles |
7
|
3 | 64 | |
| William Blake and Bart's |
7
|
1 | 9 | |
| Kilgore, John | The Order of Nights VIIa and VIIb in Blake's The Four Zoas |
12
|
2 | 107 |
| King, James | Charlotte Smith, William Cowper, and William Blake: Some New Documents |
13
|
2 | 100 |
| A New Piece of Tayloriana |
6
|
3 | 72 | |
| King-Hele, Desmond | A Twist in the Tale of "The Tyger" |
23
|
2 | 104 |
| Komisaruk, Adam | Introducing the Blake Model | 38 |
3 | 92 |
| Kraus, Christina Shuttleworth see Reiman, Donald H., and Christina Shuttleworth Kraus |