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Plutzik Reading Series
Blake/An Illustrated Quarterly
The William Blake Archive

Certificate in Literary Translation
Theatre Program


Faculty

Jonathan Baldo, Associate Professor of Humanities, Eastman School of Music (Ph.D. SUNY Buffalo)

David Bleich, Professor (Ph.D. New York University)
david.bleich@rochester.edu, (585) 275-8568,509 Morey Hall
Theory, criticism, and pedagogy of language and literature; gender studies; Jewish studies

Morris Eaves, Professor (Ph.D. Tulane University)
morris.eaves@rochester.edu, (585) 275-9025, 304 Morey Hall
British romanticism; media history and theory; editorial theory

Anthony Giardina, Visiting Assistant Professor
agiardi2@mail.rochester.edu, (585) 275-6477, 511 Morey Hall

George Grella, Associate Professor (Ph.D. University of Kansas)
gjg5@mail.rochester.edu, (585) 275-9265, 420 Morey Hall
American literature (especially 20th century); 20th-century British literature; film; popular culture

Kenneth Gross, Professor (Ph.D. Yale University)
kgrs@troi.cc.rochester.edu, (585) 275-4098, 519 Morey Hall
Renaissance literature; Shakespeare; theater; English poetry; literature and the visual arts

Genevieve Guenther, Assistant Professor (Ph.D. University of California, Berkeley)
vive@mail.rochester.edu, (585) 275-4092, 412 Morey Hall
Renaissance literature; contemporary theory

Thomas Hahn, Professor (Ph.D. University of California, Los Angeles)
thomas.hahn@rochester.edu, (585) 275-5664, 503A Morey Hall
Medieval literature and culture; gender studies; popular culture and media

Sarah Higley, Associate Professor (Ph.D. University of California, Berkeley)
slhi@mail.rochester.edu (585) 275-9261, 411 Morey Hall
Medieval insular literature; science fiction studies; film

Ken Johnson, Program Director/ Director of Forensics
kjsn@mail.rochester.edu, ( 585) 273-5223, Morey 521

Rosemary Kegl, Associate Professor and Director of Undergraduate Studies (Ph.D. Cornell University)
kegl@troi.cc.rochester.edu, (585) 275-9263, 415 Morey Hall

Stephanie Li, Assistant Professor (Ph.D. - Cornell University)
stephanie.li@rochester.edu, 585-275-4092, 319 Morey Hall
20th-century American literature

Bette London, Professor (Ph.D. University of California, Berkeley) bette.london@rochester.edu, (585) 275-3510, 306 Morey Hall
20th-century British literature; Victorian literature and culture; feminist theory; women's writing; authorship studies

James Longenbach, Joseph H. Gilmore Professor of English (Ph.D. Princeton)
jlgb@mail.rochester.edu (585) 275-4587, 512 Morey Hall
Modern literature; postmodern literature; creative writing (poetry)

Alan Lupack, Adjunct Professor and Curator of the Rossell Hope Robbins Library (Ph.D.University of Pennsylvania)
alupack@library.rochester.edu, (585) 275-0110, 416 Rush Rhees Library
Arthurian studies; Middle English literature; medievalism

Nigel Maister, Artistic Director of the UR International Theatre Program (M.F.A. Carnegie Mellon University)
njmr@mail.rochester.edu, (585) 273-5159, Todd Theater

Katherine Mannheimer, Assistant Professor
(Ph.D. - Yale)
585-275-4092, 319 Morey Hall
18th-century British literature

James Memmott, Adjunct Assistant Professor
ajmt@mail.rochester.edu, (585) 275-2160, 419 Morey Hall

John Michael, Professor and Chair of the Department (Ph.D. Johns Hopkins University)
john.michael@rochester.edu, (585) 275-9257, 404 Morey Hall
American literature; cultural studies; critical theory

Jason Middleton, Assistant Professor (Ph.D. Duke University)
jmiddle2@mail.rochester.edu, (585) 273-5014, 515 Morey Hall
Film and media studies

Greta Niu, Assistant Professor (Ph.D. Duke University)
gniu@mail.rochester.edu, (585) 275-4094, 416 Morey Hall
Film studies; Asian literature

Russell Peck, John H. Deane Professor of Rhetoric and English Literature (Ph.D. Indiana University)
rpec@troi.cc.rochester.edu, (585) 275-7157, 307 Morey Hall
Middle English literature; drama/theater; popular culture (folktale, fairytale, African American cinema, Arthurian literature/medievalism); editing

Gordon Rice, Senior Lecturer and Production Manager, International Theatre Program
grice2@mail.rochester.edu, (585) 275-9006, 102 Todd Union

Supritha Rajan, Assistant Professor, (Ph.D. University of North Carolina At Chapel Hill)
supritha.rajan@rochester.edu, (585) 275-9263, 415 Morey Hall
19th-century British literature, critical theory

Deborah Rossen-Knill, Senior Lecturer and Director of College Writing (Ph.D. Minnesota)
knil@mail.rochester.edu, (585) 273-3583, G-121 Rush Rhees Library

Joanna Scott, Roswell S. Burrows Professor of English (M.A. Brown University)
jsct@mail.rochester.edu, (585) 275-2784, 516 Morey Hall

Frank Shuffelton, Professor (Ph.D. Stanford University)
frank.shuffelton@rochester.edu, (585) 275-4104, 413 Morey Hall

Curtis Smith, Senior Lecturer (B.A. SUNY Geneseo)
curtsmith@netacc.net, (585) 275-4260, 520 Morey Hall

Jeffrey Tucker, Associate Professor (Ph.D. Princeton)
jeffrey.tucker@.rochester.edu, (585) 275-2064, 418 Morey Hall
African-American literature; 20th-century American literature; science fiction

Emeritus


New Book!

Hildegard of Bingen's Unknown Language
by Sarah Higley

The Lingua Ignota, "brought forth" by the twelfth-century German nun Hildegard of Bingen, provides 1,012 neologisms for praise of Church and new expression of the things of her world. Noting her visionary metaphors, her music, and various medieval linguistic philosophies, Higley examines how this 'Unknown Language" makes arid signifiers green again. Tins text, however, is too often seen in too narrow a context: glossolalia, angelic language, secret code. Higley provides an edition and English translation of its glosses in the Riesencodex (with assistance from the Berlin MS), but also places it within a history of imaginary language-making from medieval times to the most contemporary projects, in efforts to uncover this woman's bold involvement in an intellectual and creative endeavor that spans centuries.

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Joanna Scott publishes new book of short stories.
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Shylock, the Jewish moneylender in The Merchant of Venice who famously demands a pound of flesh as security for a loan to his antisemitic tormentors, is one of Shakespeare’s most complex and idiosyncratic characters. With his unsettling eloquence and his varying voices of protest, play, rage, and refusal, Shylock remains a source of perennial fascination. What explains the strange and enduring force of this character, so unlike that of any other in Shakespeare’s plays? Kenneth Gross posits that the figure of Shylock is so powerful because he is the voice of Shakespeare himself.
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