3 July 12 | Aleksandra Fazlipour

The latest addition to our Reviews Section is a piece by Sarah Young, aka Sarah Two, on Sayed Kashua’s Second Person Singular, which is translated from the Hebrew by Mitch Ginsburg and is available from Grove Press.

This is Sarah Two’s first review for threepercent. Her introduction can be found here. Later this week, both Sarahs (Sarah Two and Quantum Sarah) will be featured in a review that they co-wrote.

Here is some of Sarah Two’s first independent review:

Like the two protagonists of his most recent novel, Second Person Singular (translated from the Hebrew by Mitch Ginsburg), Sayed Kashua is a Jerusalem-educated Arab Israeli. He is a columnist for Haaretz, a liberal newspaper, and the creator of the hit sitcom, Arab Labor. Kashua’s work is often controversial, especially among the Palestinian population of Israel, both for his humorous use of cultural stereotypes and presentations of Muslims engaging in drinking and pre-marital sex. His writing for Arab Labor was described by The New York Times as irreverent toward Jewish and Arab Israelis alike – a style that is subtly present in Second Person Singular.

Contrary to what the title might lead us to expect, half of the book is written in the third person and half is written in the first person singular, but none of it is written in the second person singular. The third person thread chronicles the story of a nameless man identified only as “the lawyer”; the other thread is told from the perspective of a social worker whose name is eventually revealed, but withheld for much of the novel. The lawyer’s drama hinges on his discovery of a note in his wife’s handwriting and the consequent paranoia that she might be cheating on him, while the social worker’s conflict centers on his experience as a caretaker for a paralyzed, vegetative Jewish young man. The two plot lines, if not exactly intertwined, are related, yet the stronger connection between the narratives lies in the two characters’ painstaking efforts to blend in with their Jewish colleagues.

Click here to read the entire review.


Comments are disabled for this article.
....
Faces in the Crowd
Faces in the Crowd by Valeria Luiselli
Reviewed by Valerie Miles

At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .

Read More >

Fantomas Versus the Multinational Vampires: An Attainable Utopia
Fantomas Versus the Multinational Vampires: An Attainable Utopia by Julio Cortázar
Reviewed by Cameron Rowe

Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .

Read More >

Self-Portrait in Green
Self-Portrait in Green by Marie NDiaye
Reviewed by Lori Feathers

Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .

Read More >

The Madmen of Benghazi
The Madmen of Benghazi by Gerard de Villiers
Reviewed by P. T. Smith

Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .

Read More >

The Four Corners of Palermo
The Four Corners of Palermo by Giuseppe Di Piazza
Reviewed by Patience Haggin

The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .

Read More >

Writers
Writers by Antoine Volodine
Reviewed by P. T. Smith

Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .

Read More >

My Brilliant Friend
My Brilliant Friend by Elena Ferrante
Reviewed by Acacia O'Connor

It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .

Read More >

Stealth
Stealth by Sonallah Ibrahim
Reviewed by Christopher Iacono

From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .

Read More >

Miruna, a Tale
Miruna, a Tale by Bogdan Suceavă
Reviewed by Alta Ifland

Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .

Read More >

Kamal Jann
Kamal Jann by Dominique Eddé
Reviewed by Lori Feathers

Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >