This is the fifth book of Petterson’s to be published in English translation, the most famous being Out Stealing Horses, which won the IMPAC Dublin Literary Award, and was named a Best Book of 2007 by the New York Times and many other publications.
Here’s the opening of Larissa’s review:
On an early morning in Oslo in 1970, Arvid Jansen shimmies up his high school flagpole and replaces his nation’s flag with that of the Viet Cong. Confronted by the headmaster in front of his classmates, Arvid takes the opportunity to expound on the evils of the U.S. occupation of Vietnam and Norway’s complicit foreign policy, all the time being observed from a far corner by his good friend Audun Sletten. “I guess it’s all very important,” Audun shrugs, “but I am up to my neck in my own troubles, and it almost makes me want to throw up.”
Frequent readers of Per Petterson have by now come to know Arvid Jansen rather well. In typical Petterson fashion, Arvid’s life has been examined in alternating atemporal versions set forth in In the Wake and, most recently, in the masterful I Curse the River of Time. Arvid is often the vehicle through which the author explores and recasts episodes of his own past—“[h]e’s not my alter ego, he’s my stunt man,” Petterson stated in a 2009 interview with The Guardian. Vulnerable, self-absorbed, and made miserable by hindsight, Arvid is an incredibly sympathetic character. If for no other reason than this, then, English readers should be delighted to now have access to one of Petterson’s early novels (first published in Norway in 1992): It’s Fine By Me.
To read the complete review, click here.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .