17 June 13 | Chad W. Post

I first met Urvashi Butalia at the Abu Dhabi International Book Fair back some years ago, and was immediately wowed. There are few people in the world as intelligent, out-spoken, sharp, and charming as Urvashi. And her publishing house, Zubaan Books, is incredible.

Since that time, I’ve hung out with Urvashi in London, Salzberg, and Sharjah, where she called me out on a panel for being too “Euro-centric” and not talking about countries outside of the U.S. and UK where books are written, published, and sold in English. (She was right; I was shamed.)

Anyway, I was really pleased to come across this interview with Urvashi about “how her publishing project and feminist ideology have evolved” over the past ten years. Here are a few excerpts:

How have your concerns as a publisher changed over these years?

Zubaan has broadened its base, focused more keenly on translation, and on finding a younger profile of writers. As a publisher, I have been especially concerned with the issue of copyright. Although I believe copyright is important, I also see the point of people wanting free access to knowledge. I feel that publishers, especially those who are not in the business for the commerce but for political reasons, are obliged to think about how we can take this forward.

In my own role as a publisher, I am thinking of a mix of copyrighted books and creative commons, of bookstores and books for differently-abled people. We must start making audio books, for instance. As I grow older, I realize the need for books with large print. At some stage, we were keen to do books for new literates. We still haven’t given up on that.

To what extent has feminist publishing been able to address the lived realities of women at a pan-Indian level?

I am aware that by publishing in English, from Delhi, we are constrained by class, language, location, and so on. But we have made a conscious effort to bring in the voices of marginalized women. We also work with publishers of other languages. In 1989, we did a book called Shareer ki Jankari (About the Body), about women’s bodies, written by 75 women from the villages of Rajasthan who did not have the wherewithal to print it—the kind of project that feminist publishers dream of.

When these women came to us with the book, they imposed only one condition: that we would not sell it for profit. We started with a print run of 2,000, but before the copies had arrived from the printers, the women had canvassed in villages and presold 1,800 copies. Over the years, we have sold some 70,000 odd copies.

And, the most poignant quote in the whole piece:

There is also a real fear as to whether small publishing is going to be eaten up by the biggies. It’s always been my dream to prove that feminist publishing can survive, its politics intact, in the commercial marketplace. I used to be completely convinced of this, but now I am not so sure.

Again, here’s a link to Zubaan’s fiction list for those of you interested in reading some great works from Indian women writers.


Comments are disabled for this article.
....
Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >