20 June 13 | Kaija Straumanis

The latest addition to our Reviews Section is by Hannah Vose on The Neighborhood by Gonçalo Tavares, from Texas Tech University Press.

Hannah is one of our Open Letter interns this summer (and a recent student of Chad’s), and in addition to helping copy edit manuscripts, keeping the mail situation in check, reading submissions, and patiently ducking as we test the new darts for the office dartboard, she’ll also be contributing to the Three Percent reviews during her stay with us.

Here’s the beginning of her review:

I went into this book expecting the wrong things; I thought I had picked up a novel with, y’know, plot, but the 280 pages of Gonçalo Tavares’ The Neighborhood are filled with vignettes—“chapters” ranging from tiny to small, with concise titles and little-to-no binding between them—sorted by each of six characters: the “Misters’” Valéry, Calvino, Juarroz, Kraus, Walser and Henri, each of them taking their names from one of Tavares’ literary idols. These six men live in a neighborhood outlined in one of many minimalist illustrations by Rachel Caiano, where their entertaining and sometimes outright absurd, but always thought-provoking ponderings on life and the subsequent actions that they take as a result of them create a village where philosophical bendiness can make anything true.

Tavares’ Misters have a way of taking the absurd and making it plausible, taking the patently obvious and making it absurd, and taking the unobserved and making it noteworthy by leaps and bounds of logic which are simultaneously puzzling and simple. Take, for instance, a chapter on Mister Henri (named for Henri Michaux), a man who by Tavares’ description must have sacrificed his liver long ago on the altar of his beloved absinthe, “The Garden Bench”:

Mister Henri was in the garden standing before his favorite bench, where a woman was seated, playing the violin.

Mister Henri interrupted the violinist and said, “Antonio Stradivarius was the most famous violin maker of all time. One could say that he was the architect of violins. He experimented with several kinds of violins until he decided upon the size and shape of the Stradivarius violin. I could have been a great violinist, but I never knew how to play the violin. However, alcohol existed well before the violin. Well before violinists existed, there existed people who were artistically inspired by alcohol. Therefore, please get off that bench with your violin. Because that bench is mine,” said Mister Henri.

For the rest of the review, go here.


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