2 July 13 | Kaija Straumanis

The latest addition to our Reviews Section is by P. T. Smith on For a Song and a Hundred Songs by Liao Yiwu, from New Harvest.

Straying for a moment from fiction and poetry reviews, we asked Patrick to contribute re this translated memoir from poet Liao Yiwu, who—let’s just keep it simple—has been through a hell of a lot and then some. Here’s the beginning of Patrick’s review.

With two previous versions confiscated by Chinese authorities before being published in Germany in 2011, and coming now into English with an introduction by 2009 Nobel Prize winner Herta Müller, Liao Yiwu’s memoir of years spent in a human rights–violating Chinese prison comes with immediate political and social creditials; For a Song and a Hundred Songs is a book that you, the educated, enlightened reader “should” read, to learn more about that culturally relevant Other. Yet, with the author’s honesty, poetical eye and ear, and dedication to his own personal sense of China, it becomes something so much more interesting.

Opening with a brief account of his older sister’s life and her tragic death in a bus accident, Liao Yiwu makes it clear that this work is a personal endeavor, calling her his “first imaginary reader.” He begins before the student protests, outside of them, marking change in China by the era of automobiles instead of with any political changes. It soon becomes clear that Yiwu did not intend to be a political poet, in fact had no interest in the process or aims of such poetry. This attitude remains recognizable in him even today. On a number of occasions, he finds bitter, humored satisfaction in knowing that his most loyal readers are policemen reading his writing, looking for threatening political messages, trying to decipher hidden means to object to, an effort which in the end serves as the authorities imbuing the work with a threatening power that was not there till they found it.

Fpr the rest of the review, go here.


Comments are disabled for this article.
....
The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >

Kingdom Cons
Kingdom Cons by Yuri Herrera
Reviewed by Sarah Booker

Yuri Herrera is overwhelming in the way that he sucks readers into his worlds, transporting them to a borderland that is at once mythical in its construction and powerfully recognizable as a reflection of its modern-day counterpart. Kingdom Cons, originally. . .

Read More >

The Invented Part
The Invented Part by Rodrigo Fresán
Reviewed by Tiffany Nichols

Imagine reading a work that suddenly and very accurately calls out you, the reader, for not providing your full attention to the act of reading. Imagine how embarrassing it is when you, the reader, believe that you are engrossed in. . .

Read More >

A Simple Story: The Last Malambo
A Simple Story: The Last Malambo by Leila Guerriero
Reviewed by Emilee Brecht

Leila Guerriero’s A Simple Story: The Last Malambo chronicles the unique ferocity of a national dance competition in Argentina. The dance, called the malambo, pushes the physical and mental limits of male competitors striving to become champions of not only. . .

Read More >

The Little Buddhist Monk & The Proof
The Little Buddhist Monk & The Proof by Cesar Aira
Reviewed by Will Eells

Aira continues to surprise and delight in his latest release from New Directions, which collects two novellas: the first, The Little Buddhist Monk, a fairly recent work from 2005, and The Proof, an earlier work from 1989. There are a. . .

Read More >

Agnes
Agnes by Peter Stamm
Reviewed by Dorian Stuber

The narrator of Peter Stamm’s first novel, Agnes, originally published in 1998 and now available in the U.S. in an able translation by Michael Hofmann, is a young Swiss writer who has come to Chicago to research a book on. . .

Read More >

Class
Class by Francesco Pacifico
Reviewed by Vincent Francone

The thing about Class is that I don’t know what the hell to think about it, yet I can’t stop thinking about it. I’ll begin by dispensing with the usual info that one may want to know when considering adding. . .

Read More >

The Dispossessed
The Dispossessed by Szilárd Borbély
Reviewed by Jason Newport

To be, or not to be?

Hamlet’s enduring question is one that Szilárd Borbély, acclaimed Hungarian poet, verse-playwright, librettist, essayist, literary critic, short-story writer, and, finally, novelist, answered sadly in the negative, through his suicide in 2014, at the. . .

Read More >

A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >