Chris is a new addition to our reviewers, and is a writer, copy editor, and proofreader from Methuen, MA; he also runs the Good Coffee Book Blog.
Here’s the beginning of Chris’s review:
“A man’s country may be cramped or vast according to the size of his heart. I’ve never found my country too small, though that isn’t to say my heart is great. And if I could choose it’s here in Guadeloupe that I’d be born again, suffer and die. Yet not long back my ancestors were slaves on this volcanic, hurricane swept, mosquito ridden, nasty-minded island. But I didn’t come into the world to weigh the world’s woe. I prefer to dream, on and on, standing on my garden, till death comes and takes me as I dream, me and all my joy.”
This is how Telumee “Miracle” Lougandor begins her story in the new edition of The Bridge of Beyond by Caribbean novelist Simone Schwarz-Bart. This introductory paragraph sums up her life: Despite the fact that fate has brought her life so much suffering from the time she was born, she finds happiness in it. In fact, Telumee is the last of a line of strong women who showed great strength during times of great adversity.
After being freed by an owner known for his cruelty, Telumee’s great grandmother, Minerva, works the land and raises her daughter with the help of another in a hamlet called L’Abandonee. Minerva’s daughter, Toussine, is not as lucky as her mother: Her house burns down, two of her children die, and her husband is murdered. Meanwhile, her third child, Victory, who is also Telumee’s mother, spends her time getting drunk and wandering the streets, unable to care for her two daughters. Despite the tragedies and the fact that she is isolated in a cabin in another village, she becomes venerated as “Queen Without a Name.”
Go here for the rest of the review.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .
I’m talking about pathological individuals; six twisted people taking part in an unpredictable game.
Carlos Labbé’s Navidad & Matanza is the story of two missing children and the journalist trying to find them. Actually. it’s the story of a group of. . .
For Lukas Zbinden, walking is a way of life. At eighty-seven, he is still an avid walker and insists on going for walks outside as often as possible, rain or snow or shine. Now that he lives in an assisted. . .
Commentary is a book that defies simple categorization. Marcelle Sauvageot’s prose lives in the world of novel, memoir, and philosophical monologue as the narrator, a woman recuperating in a sanatorium, muses on the nature of love and examines her own. . .