A River & A Sound is a brand new online magazine published in association with the Rainier Writing Workshop at Pacific Lutheran University that grew out of a one-of-a-kind, literary entertainment program designed to make literary events more exciting.
You can check out the rest of the magazine at the link above, but the piece that caught my eye was K.E. Semmel’s translation of Phosphorescence by Danish author Simon Fruelund. (I think this is a week of short stories, what with the Guardian pieces and now this . . .)
We have a few Fruelund works on submission, and they’re pretty interesting. Not all are quite as straightforward, almost Hemingway-esque, as this particular story. In fact, the more recent work has a bit more of a David Markson tinge to it . . . Anyway, this piece is worth checking out, and I know that A River & A Sound is planning on running more works in translation in the future, and is looking for submissions . . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .