A River & A Sound is a brand new online magazine published in association with the Rainier Writing Workshop at Pacific Lutheran University that grew out of a one-of-a-kind, literary entertainment program designed to make literary events more exciting.
You can check out the rest of the magazine at the link above, but the piece that caught my eye was K.E. Semmel’s translation of Phosphorescence by Danish author Simon Fruelund. (I think this is a week of short stories, what with the Guardian pieces and now this . . .)
We have a few Fruelund works on submission, and they’re pretty interesting. Not all are quite as straightforward, almost Hemingway-esque, as this particular story. In fact, the more recent work has a bit more of a David Markson tinge to it . . . Anyway, this piece is worth checking out, and I know that A River & A Sound is planning on running more works in translation in the future, and is looking for submissions . . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .