The British Centre for Literary Translation—located in Norwich at the University of East Anglia—recently launched a search for a new director. You can get all of the information here, but here’s a brief summary of what sounds like one of the coolest translation-related positions ever:
Apply now for the post of BCLT Academic Director
£45,941 to £53,233 per annum
The School of Literature, Drama and Creative Writing is seeking to appoint an Academic Director for the British Centre for Literary Translation.
The Centre is a vital point of intersection between professional translation and academic study, founded in 1989 by W.G. Sebald and supported by the University of East Anglia and Arts Council England.
This is an exciting opportunity to shape the next phase of its development in the context offered by UEA’s internationally famous Creative Writing programme and Norwich’s status as England’s first UNESCO City of Literature.
The Academic Director will be a Senior Lecturer in the School of Literature, Drama and Creative Writing, engaging in both undergraduate and postgraduate teaching and published research.
The post is available on a full-time indefinite basis from 1 March 2014.
The closing date is 12 noon on 22 November 2013.
And from the job description PDF, here’s a paragraph about the scope of the job:
The Academic Director will be responsible for leading the academic programme of BCLT through teaching, research and organisation, ensuring that the academic and public programmes complement and gain from each other, and acting as advocate for the role and activities of BCLT within UEA. S/he will have particular responsibility for raising BCLT’s academic profile, and developing its academic activity to parallel the well-established outreach programming.
I feel like there’s probably a number of readers of this blog who would qualify for such a position . . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .