Friend of Three Percent, Lisa Hayden Espenschade, who runs the incredible Russian literature blog Lizok’s Bookshelf posted the shortlist for the über-prestigious Big Book (Bol’shaya Kniga) Prize. Big Book is one of the “big three” Russian literary prizes, along with the Russian Booker and the National Bestseller (or NatsBest).
Our old Open Letter pal Mikhail Shishkin won the Big Book last year for his Letter-Book (Pis’movnik), with Vladimir Sorokin’s The Blizzard (Metel’) coming in second and Dmitry Bykov’s Ostromov, or the Sorcerer’s Apprentice (Ostromov, ili Uchenik charodeya) coming in third. The Big Book Prize fund distributes 6.1 million rubles (~$183k) annually among the first, second, and third prize winners, and is sponsored by a number of Russian businesses and banks along with the Russian Ministries of Culture and Print, Media and Mass Broadcasting.
There will be a Big Book Prize presentation event at Book Expo American next Thursday at 10am featuring past winners Mikhail Shishkin, Dmitry Bykov, Vladimir Makanin, Pavel Basinsky, and, supposedly, the Big Book finalists:The way the wording on Read Russia’s website describes the event (“Big Book Prize: Presentation of the Big Book Prize, Russia’s most prestigious literary award, plus a “Meet and Greet” with prize winners.”), I still can’t tell if they are really planning on announcing the 2012 Big Book winner at BEA, which would be awesome, or if they were just trying to present to an American audience the idea of the Big Book Award and will make the announcement for the prize winner in November, as stated in Russian media reports.
The shortlist features a number of readers whom neither I nor Lisa have read, both of us are only familiar with Prilepin’s Black Monkey, so we have a lot to catch up on before the prizewinner is (allegedly) announced in November! Without any further ado, here is the shortlist, in English no less (!), with transliteration and translation provided by Lisa herself.
A huge thanks to Lisa for her tireless work in alerting English readers to what’s going on in the world of Russian literature. Check out her posts for reviews and insider tips on what’s going on in the world of Russian literature, and I hope to meet her at BEA next week!
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .