So, this has been percolating for some time, but yesterday BookExpo America sent out the official press release (copied below) about how this year’s Best Translated Book Award winners will be announced on Wednesday, May 27 at 2:30 as part of BEA’s programming:
Norwalk, CT, February 25, 2015: BookExpo America (BEA), North America’s largest and preeminent book industry convention, continues to shine a light on international publishing by sponsoring the 8th Annual Best Translated Book Award which was founded to bring attention to great works of literature in translation and honor the translators who make these available to English readers. Over the past few years, underwriting from Amazon.com has made it possible for the winning authors and translators to receive $5,000 in cash prizes, making this the largest award for literature in translation in the United States. Inaugurated in 2008, the award is conferred by Three Percent, the online literary magazine of Open Letter Books, which is the book translation press of the University of Rochester.
The award will take place on the Eastside Stage at BEA on Wednesday, May 27 at 2:30pm at the Jacob K. Javits Center. BookExpo America is widely known as an ideal place for content creators, media, booksellers, rights professionals, and movie and television executives to meet new authors, discover new books, learn about trends shaping the book industry, and network with those who have a passion for books and reading. It is the nation’s largest gathering of booksellers, book publishers and book industry professionals.
“Announcing the winners of the Best Translated Book Award at BoookExpo America makes perfect sense,” notes Chad W. Post, publisher of Open Letter and Founder of the awards. “Booksellers are some of the biggest fans of international literature I know, and one of the most important groups out there for getting translations into the hands of individual readers. It’s exciting to be able to share this announcement with them directly, at one of the key bookselling events of the year. Plus, incorporating the BTBAs into the setting of BEA—with hundreds of authors, translators, and editors in attendance—is a fantastic way to show that international literature is a central, growing part of book culture.”
Any works in translation published in 2014 for the first time ever (no retranslations or reissues) are eligible for the award. More than 580 works of fiction and poetry have already met these criteria. These books originated from 73 different countries and were written in 46 different languages, making this the largest, and most diverse, pool of entries to date. Additionally, these books were published by 194 different publishers, demonstrating the large base of interest in bringing international voices to American readers.
Obviously, we’re going to party after this . . . Details on that are TK.
Couple BTBA points worth noting though:
Because of this change of venue (we used to announce the winners during PEN World Voices, and hope that next year we can announce the finalists there), we’ve altered the schedule for the 2015 announcements. (As you can see on the official BTBA site.)
The Longlists for both Fiction and Poetry will now be announced on Tuesday, April 7th;
Finalists will be announced on Tuesday, May 5th;
Winners & Celebration Party on May 27th.
Also, be sure and check out Best Translated Book for all of the amazing write-ups the judges have been posting about this year’s works. They’re doing a phenomenal job, and their columns make up the single greatest online source for information about 2014 works in translation, bar none. All of these posts go up on Three Percent as well, but over the next month, I’m going to be highlighting a bunch of them as we build up to the announcement of the two longlists . . .
As the week comes to a close, we at Open Letter Books are getting ready to join the masses of publishers, agents, authors, translators, and book people in general in for Book Expo America 2013.
In addition to getting ramped up to see familiar faces and meet new ones, we’ll be toting around a copies of a few of our forthcoming titles and plenty of shiny new catalogs to wave in your faces. And since we won’t be at a booth this year, we will instead be everywhere. In the book lines, at publishers’ booths, at snack-and-wine gatherings in the aisles, not
not crashing evening parties/events/galas, in the whispers of the wind, in the rustling of exhibit floor curtains. In your free book totes and dreams.
Creepiness aside, we’ll basically be around all week and would love to see and talk to you! If you plan on being at BEA and want to catch us, shoot us an email, or check in with us on Twitter to see what we’re up to. (We may even have a few free A Thousand Morons shirts to hand out!) You can also use the same means of contact to avoid us. As an added bonus, Chad will be speaking on panels Wednesday at the Alternative and Independent Presses panel at 10:40 a.m., and Friday at the The Translator & Editor panel at 3:30 p.m.Hope to see many of you there!
From this PW piece on BookExpo America and changes to the show:
Reed is already looking to bigger changes in 2013. In a blog post yesterday Rosato discussed a move to B2C, enabling publishers to connect directly with consumers. The show would move to Thursday to Saturday with the general public invited to attend author events and go on the show floor on the final day. “Nothing is baked,” he wrote, “and we have a ton of due diligence to conduct to insure that a BEA that includes consumers, is an event that serves the industry.”
Better late than never. And just wait for the Simon & Schuster rant about how “readers don’t belong at our day of books!” I’m sure their reaction will be priceless and as confused as all get out.
Even though I don’t approve of the 14-year-olds at Frankfurt who dress up in very skimpy clothes to look like their favorite manga characters and be photographer by old dudes, nor do I approve of the general lack of understanding among the great public on how to walk down hallways and up escalators, it was nice to see so many people flood the Frankfurt Book Fair clamoring for new books. So, I hope this comes true:
But while some publishers want more targeted audiences, others (and in some cases the same ones) would like to see BEA, in the words of Jacobs “broaden the show’s constituency.” If that means opening the show to the public, “I think it would be worth a try,” Jacobs says, noting the phenomenal public turnout for New York Comic-Con. Opening the show to the public, however, “is a very polarizing issue,” Muller says. “It would be a disaster,” Sabia says. “There already is enough chaos in New York.” Nevertheless, Fensterman says there will likely be a consumer component in New York next year: it will be separate from the actual convention, but held at the same time, offering publishers the chance to promote authors both to the trade and the public. Applebaum says Random has an “open mind” about the public attending. Such a move could change the complexion of the show, but that is all right with Jacobs. “I’m up for trying something new,” Jacobs says. “Any sort of radical idea should be considered,” agrees Jensen. (PW)
I’m leaving tomorrow morning for BookExpo America (aka BEA, aka ABA, well, OK, ABA is more than a bit outdated, but I think some people still say this), and with E.J. in Norway things might be a little quiet around here for the next few days.
This year BEA is in L.A., which is always nice and sunny. And somewhat inconvenient, since the fair has to be split up between two halls, forcing most people to walk back and forth and back and forth all day . . . but whatever. It’s still 72 every single day. And the parties are a bit more glamorous than the ones in Chicago.
In case you’re not familiar with BEA, this is an annual gathering of booksellers, publishers, reviewers, etc. It’s a chance for publishers to show off the books they’re bringing out over the next year and to touch base with independent booksellers from across the country. And yes, there are lots of parties. Overall, a good time is had by all.
I was talking to a professor here the other day about the difference between the Modern Languages Association annual conference and BEA. MLA is so high-pressure, both in terms of interviewing and having to present papers. You have to be on your game at MLA.
On the other hand, BEA is more of a celebration for surviving another year. (And really, when talking about indie bookselling, you can’t overplay the survival aspect.) A time to re-energize, to get excited about books all over again with a few thousand of your closest friends. Oh, and did I mention the parties? (This year there’s one at the Chateau Marmont.)
But seriously, BEA is the place where National Book Award buzz starts being generated, and where dudes in costumes walk around giving free hugs. It’s occasionally over-the-top, it’s frenetic, it’s crowded—it’s all of that, but it’s also a lot of fun to see everyone again and at least have a chance to touch base and, you know, congratulate them on surviving for another year.
In addition to mingling and picking up new galleys, there are a ton of educational events, including three panels on translation. (I’m on two of them, both on Saturday. One about funding for translations, the other about marketing them. Which, from what I’ve heard, is just a bunch of hype. And speaking of the marketing one, we have a late scratch—Gregg Nations from Lost won’t be able to attend since he’s “going dark” following Thursday’s season finale, which I take to mean that the finale is going to be “game changing” . . . )
Also on Thursday, we’re having the annual Reading the World party. This year it’s being held in collaboration with Bookforum and will take place at the REDCAT Theater (631 West 2nd St.) from 6-8pm. Anyone interested in going should e-mail me at chad.post at rochester dot edu.
I’ll try my best to blog the BEA, but generally there’s not a lot of downtime. May turn into one long recap next week . . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .