The french novel Zone by Mathias Énard has been receiving some early press for a few reasons.
1. We’re publishing it (with an English translation by Charlotte Mandell) in spring 2010.
2. It’s about 500 pages.
3. It’s about 1 sentence.
The Chicago Tribune just ran an article, including some helpful references to other long sentences with which you may be familiar. Within the article, Chad helpfully describes this incredible book:
Open Letter Books at the University of Rochester has purchased the rights to the book and expects to publish a translation by Charlotte Mandell in spring 2010, according to Chad Post, the press director.
But is the record-setter gibberish? Not at all, says Post.
“It’s told from inside this guy’s mind as he takes a train trip,” he says. “It has a lot of commas.”
Intrigued? Here’s a little excerpt.
This past weekend, Pat Reardon featured Dalkey Archive Press, Northwestern University Press, University of Illinois Press, and University of Chicago Press in an article for the Chicago Tribune about how the State of Illinois is one of the centers of translation in the country.
Translators are unofficial ambassadors, negotiating the meeting of two cultures, says Willis Regier, director of the University of Illinois Press.
And, although little recognized locally, one of the major centers of this sort of literary diplomacy is Illinois, home of four publishing houses with strong translation programs, responsible for some 50 translations each year.
Put together, these four presses are pretty impressive—Northwestern’s “Writings from an Unbound Europe” series alone is pretty remarkable and includes a ton of impressive authors.
It’s also worth noting that Reardon is talking about all translations, not just fiction and poetry. (For instance, the bit about U of I Press mentions that they specialize “in non-fiction works by scholars and great writers, such as Simone de Beauvoir and Ludwig van Beethoven.”) In terms of fiction and poetry, a small segment of Brooklyn would compete with Illinois in terms of translation dominance . . . In Gowanus and Dumbo alone one can find Ugly Duckling Press, Archipelago Books, and Melville House, three of the top publishers of literary translations in the country.
Personally, my favorite part of this article is John O’Brien’s quote that “This area is translation territory.” It calls to mind images of Illinois as the wild west of international writing, where roving editors carry around bilingual dictionaries . . .
Rather than blogging the crap out of Harry Potter (a la the Chicago Tribune—just check their last 10 posts), the Guardian has an interesting post on Blaise Cendrars, whose Moravagine was reprinted by—yep, again—NYRB a few years back.
Fascinating and strange, it’s great to see that someone in the world of mainstream newspapers is drawing attention to his work.
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .