This project was announced a while back, but with the start date one week away, it’s worth mentioning once again. Sponsored by the Institute for the Future of the Book (with funding from the Arts Council England), The Golden Notebook Project is an online experiment in collaborative close reading:
The seven women listed below will read Doris Lessing’s The Golden Notebook and carry on a conversation in the margins. The seven readers will also record their reactions to the process in a group blog. There is also a public forum in which everyone who is reading along and following the conversation can post their comments on the book and the process itself.
According to Bob Stein:
The idea for the project arose out of my experience re-reading the novel in the summer of 2007 just before Lessing won the Nobel Prize for literature. The Golden Notebook was one of the two or three most influential books of my youth and I decided I wanted to “try it on” again after so many years. It turned out to be one of the most interesting reading experiences of my life. With an interval of thirty-seven years the lens of perception was so different; things that stood out the first-time around were now of lesser importance, and entire themes I missed the first time came front and center. When I told my younger colleagues what I was reading, I was surprised that not one of them had read it, not even the ones with degrees in English literature. It occurred to me that it would be very interesting to eavesdrop on a conversation between two readers, one under thirty, one over fifty or sixty, in which they react to the book and to each other’s reactions. And then of course I realized that we now actually have the technology to do just that.
This promises to be an interesting experiment in online collaboration. In the past Words Without Borders has sponsored many online book discussion groups (I’ve moderated a couple, as has Michael Orthofer and many others), but this is somewhat different. Having seven people signed up from the start makes a huge difference (one of the problems we ran into was getting readers to chime in with their own opinions), as will the fact that the site/blog is exclusively dedicated to The Golden Notebook. It’ll be interesting to see how this works out . . .
And worth noting: as mentioned on the site, this isn’t an experiment in reading online—if you plan on participating, you’ll want to buy a print copy of the book beforehand.
Doris Lessing last night formally received her Nobel prize for literature, saying: “Thank you does not seem enough.”
Ill health prevented Lessing, 88, from travelling to Sweden for a Nobel presentation in December. Instead, a ceremony took place for the prolific author at the Wallace Collection in London.
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .