27 April 10 | Chad W. Post | Comments [1]

So last month, the day after the announcement of the Best Translated Book Award, the Americas Society hosted an amazing panel to help launch Macedonio Fernandez’s The Museum of Eterna’s Novel (The First Good Novel).

This event—which Open Letter executive committee member Hal Glasser helped put together—was loaded with awesome panelists, including Margaret Schwartz, who translated The Museum; Edie Grossman, whose first translation was a short story of Macedonio’s that she did for an Americas Society publication; and Todd Garth (a Macedonio scholar and author of The Self of the City, a book about Macedonio and the Argentine avant-garde.

Overall, this was one of the most interesting panels I’ve ever moderated. We were able to cover a lot of stuff about Macedonio—his eccentricities, his work, his relationship to Borges, his hatred of public transportation (“down with the tyranny of bus routes!”) and his disbelief in all medical knowledge (which, well, was why he ended up toothless . . . ). And I was even able to read the most romantic paragraph ever written (in my opinion), which is something I tend to do when I talk about Macedonio . . .

Anyway, definitely listen to this audio file.. I promise you’ll be enthralled after the first few minutes . . . It was a sort of magical night and event.

Click here to download. Or simply hit the play button below . . .

26 April 10 | Chad W. Post | Comments [2]

I know I had a week off (more or less, and thanks again to Edward Gauvin for kicking such ass last week), but all I’ve really got right now is this review I wrote of Edie Grossman’s Why Translation Matters.

Honestly, this is one of the only things I’ve ever written that I’m pretty proud of. (And all props to Scott and Heidi for their support and help—y’all effing rock.) Really curious to hear what people think of this . . .

Back in 2003, the New York Times ran an article entitled “America Yawns at Foreign Fiction” driving home the idea that American publishers don’t publish many books in translation (the commonly cited statistic is that translations make up less than 3 percent of all books published in America), that readers don’t care to read international literature (the opening line of the article is a joke about how Americans had no idea who Imre Kertesz was when he won the Nobel Prize), and that this situation is unlikely to change.

All pretty depressing stuff for anyone interested in works from beyond our borders, but, to be honest, none of this was very surprising. Conversations about literature in translation are ruled by negativity: Translators aren’t paid enough. Publishers don’t support literature in translation. Booksellers ignore these books in favor of Twilight knock-offs and other schlock. No one reads anymore anyway. Translation is impossible.

No wonder Edie Grossman is a bit touchy:

“We read translations all the time, but of all the interpretive arts, it is fascinating and puzzling to realize that only translation has to fend off the insidious, damaging question of whether or not it is, can be, or should be possible. It would never occur to anyone to ask whether it is feasible for an actor to perform a dramatic role or a musician to interpret a piece of music. Of course it is feasible, just as it is possible for a translator to rewrite a work of literature in another language. Can it be done well? I think so, as do my translating colleagues, but there are other, more antipathetic opinions.”

The whole review can be found at The Quarterly Conversation.

....
Death by Water
Death by Water by Kenzaburo Oe
Reviewed by Will Eells

Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .

Read More >

Twenty-One Cardinals
Twenty-One Cardinals by Jocelyne Saucier
Reviewed by Natalya Tausanovitch

Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .

Read More >

One of Us Is Sleeping
One of Us Is Sleeping by Josefine Klougart
Reviewed by Jeremy Garber

We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .

Read More >

Bye Bye Blondie
Bye Bye Blondie by Virginie Despentes
Reviewed by Emma Ramadan

Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .

Read More >

La Superba
La Superba by Ilja Leonard Pfeijffer
Reviewed by Anna Alden

Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .

Read More >

Intervenir/Intervene
Intervenir/Intervene by Dolores Dorantes; Rodrigo Flores Sánchez
Reviewed by Vincent Francone

It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .

Read More >

All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >