Next month we’ll be reissuing The Guinea Pigs by Ludvik Vaculik, a Czech modern classic featuring one of the most memorably odd narrators ever. His sort of befuddled meandering through life (not understanding the strange situation going on at the bank where he works, berated a kid that he mistakes for his son, etc.) is funny in and of itself, but it’s the spectacularly peculiar word choices and phrasings that really make this book sing.
Here’s an example from the opening paragraph:
There are more than a million people living in the city of Prague whom I’d just as soon not name here. Our family is originally from the country. Our family, that means me, my wife, and two tolerable little boys.
(It’s that “tolerable” that’s so fantastic.)
As the story progresses and the reader gets more and more attuned to the quirks and clicks of the narrator’s voice, the funnier this gets. Even when our friendly narrator is doing very odd things to innocent guinea pigs . . .
Anyway, to share our love of this book with the rest of the world, we decided to give away 10 copies via GoodReads. So if you’re a member, be sure to click this handy little widget below to be entered into the drawing.
OK, so I didn’t get to writing up all the things I wanted to this week, but before taking off for Amsterdam and the Non-Fiction Conference (see next post), I thought I’d share our Summer 2011 catalog.
With a little luck, I’ll highlight each of these next week, with excerpts and the like, but for now, here’s a list of all five titles along with links to their Open Letter pages, where you can find cover images, jacket copy, links to excerpts, author bios, etc., etc.
Excellent collection of Monzo’s stories, and the second book of his that we’re publishing. Next up: 1000 Morons.
This is the first of three Chejfec titles we’re publishing, the other two being The Dark and The Planets. First came across Chejfec in a post by Scott Esposito at Conversational Reading linking to a recommendation at Hermano Cerdo written by Enrique Vila-Matas about how totally awesome this book is. (Or some similar Spanish phrasing.) We then went on to buy the rights to all three books thanks to a brilliant excerpt that was in BOMB magazine.
This is one of the funniest books I’ve ever read. And the second Open Letter book in which guinea pigs are subjected to uncool things. I get the strangest reaction from friends when I try and describe just how funny the narrator’s guinea pig “experiments” are. Like the one with the record player. Or the stove. Or the bathtub. . . . Um, yeah. But seriously, it’s hysterical—mainly because of the voice of the befuddled, clueless narrator. And we have some awesome promotions in mind for this . . . none of which involve the harming of physical, living guinea pigs. Promise.
This new collection by Can Xue (who has also been published by New Directions, Northwestern, Yale, and Conjunctions) is the first Chinese title to come out from Open Letter. She’s a very interesting, unique writer who reminds me a bit of Rikki Ducornet. The stories are a bit surreal, surprising, and, at time, disorienting in a very pleasurable way.
We published Winterbach’s To Hell with Cronje last fall to some good attention. She’s a stark, interesting South African writer, and in the end, I think Book of Happenstance is an even better book than Cronje . . .
More all next week . . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .