Next month we’ll be reissuing The Guinea Pigs by Ludvik Vaculik, a Czech modern classic featuring one of the most memorably odd narrators ever. His sort of befuddled meandering through life (not understanding the strange situation going on at the bank where he works, berated a kid that he mistakes for his son, etc.) is funny in and of itself, but it’s the spectacularly peculiar word choices and phrasings that really make this book sing.
Here’s an example from the opening paragraph:
There are more than a million people living in the city of Prague whom I’d just as soon not name here. Our family is originally from the country. Our family, that means me, my wife, and two tolerable little boys.
(It’s that “tolerable” that’s so fantastic.)
As the story progresses and the reader gets more and more attuned to the quirks and clicks of the narrator’s voice, the funnier this gets. Even when our friendly narrator is doing very odd things to innocent guinea pigs . . .
Anyway, to share our love of this book with the rest of the world, we decided to give away 10 copies via GoodReads. So if you’re a member, be sure to click this handy little widget below to be entered into the drawing.
OK, so I didn’t get to writing up all the things I wanted to this week, but before taking off for Amsterdam and the Non-Fiction Conference (see next post), I thought I’d share our Summer 2011 catalog.
With a little luck, I’ll highlight each of these next week, with excerpts and the like, but for now, here’s a list of all five titles along with links to their Open Letter pages, where you can find cover images, jacket copy, links to excerpts, author bios, etc., etc.
Excellent collection of Monzo’s stories, and the second book of his that we’re publishing. Next up: 1000 Morons.
This is the first of three Chejfec titles we’re publishing, the other two being The Dark and The Planets. First came across Chejfec in a post by Scott Esposito at Conversational Reading linking to a recommendation at Hermano Cerdo written by Enrique Vila-Matas about how totally awesome this book is. (Or some similar Spanish phrasing.) We then went on to buy the rights to all three books thanks to a brilliant excerpt that was in BOMB magazine.
This is one of the funniest books I’ve ever read. And the second Open Letter book in which guinea pigs are subjected to uncool things. I get the strangest reaction from friends when I try and describe just how funny the narrator’s guinea pig “experiments” are. Like the one with the record player. Or the stove. Or the bathtub. . . . Um, yeah. But seriously, it’s hysterical—mainly because of the voice of the befuddled, clueless narrator. And we have some awesome promotions in mind for this . . . none of which involve the harming of physical, living guinea pigs. Promise.
This new collection by Can Xue (who has also been published by New Directions, Northwestern, Yale, and Conjunctions) is the first Chinese title to come out from Open Letter. She’s a very interesting, unique writer who reminds me a bit of Rikki Ducornet. The stories are a bit surreal, surprising, and, at time, disorienting in a very pleasurable way.
We published Winterbach’s To Hell with Cronje last fall to some good attention. She’s a stark, interesting South African writer, and in the end, I think Book of Happenstance is an even better book than Cronje . . .
More all next week . . .
A man’s country may be cramped or vast according to the size of
his heart. I’ve never found my country too small, though that isn’t
to say my heart is great. And if I could choose it’s here. . .
The recent reissuing of several of Stig Dagerman’s novels by University of Minnesota Press has rekindled interest in his works, which have until now been little-known outside Sweden. Just twenty-four when he wrote A Burnt Child (here newly translated by. . .
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .