I’m just going to let this speak for itself . . . It’s a letter to the New York Times from esteemed translator Esther Allen who is also the executive director of the Center for Literary Translation at Columbia and the author of To Be Translated or Not To Be, a recent PEN/Ramon Llull Report on translation and globalization. She writes:
There is a problem with the coverage of Herta Muller’s Nobel in today’s Times.
The Times articles consistently mention the fact that Muller writes in German, and even bemoan the problem of the paucity of literary translation published in English. But never once is any of Muller’s translators named or alluded to, not even when those translators’ words are excerpted extensively.
In last year’s coverage of LeClezio’s Nobel, translators were credited; their omission this year becomes all the more inexplicable.
Herta Muller is not really so obscure — she’s one of the lucky ones, with at least four books published in English. That has happened because a number of literary translators have championed her work and brought it to an English-speaking public. Their names are Michael Hofmann, Martin Chalmers, Philip Boehm, Michael Hulse, Valetina Glajar and André Lefevere.
These are not clerks or copyists — these are dedicated, skilled performers whose insight and erudition make it possible for literature to move from one cultural medium into another. They should not be condemned to operate in total obscurity, especially not at a moment like this one.
Muller herself, like Imre Kertesz and a number of Nobel winners in previous years, has been a translator — her writing involves movements between cultures and languages. Translation is integral to this story, not an incidental inconvenience or annoyance to be suppressed or overlooked.
As a daily reader and supporter of the New York Times, I would hope that in the Times‘s ongoing coverage, translation and the work of translators can be given their rightful place in this story.
UPDATE: Esther heard back from Dwight Garner of the Times, who agreed with her point and said, “it’s a situation I hope we can rectify in future writing about Herta Muller.”
The German Book Prize announced their shortlist a few weeks ago, and signandsight.com now has English excerpts available. Here’s the list:
The winner will be announced in 10 days, on the eve of the Frankfurt Book Fair.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .