At a press conference earlier this week, AmazonCrossing and Fabulous Iceland announced that Amazon would be publishing ten Icelandic titles in the near future, starting with The Greenhouse (which we featured here).
Here’s the official announcement:
“The Icelandic series from AmazonCrossing will ensure that the guest country will still be present on the international book market once the Book Fair has come and gone,” said Halldór Guðmundsson, director of Fabulous Iceland, at a press conference given to announce that AmazonCrossing, a new imprint of Amazon Publishing dedicated to foreign works in translation, had resolved to publish ten Icelandic titles in the near future.
The series will kick off with The Greenhouse by Auður Ava Ólafsdóttir and Hallgrímur Helgason’s The Hitman’s Guide to Iceland. Both authors appeared at the conference. Also slated for publication are works by Viktor Arnar Ingólfsson, Árni Þórarinsson, Vilborg Davíðsdóttir and Steinunn Sigurðardóttir, with more to be announced in early 2012.
Translated books comprise less than three percent of titles published in the United States and United Kingdom. “This figure is too small, by a long shot,” Jon Fine of AmazonCrossing said, adding that the imprint’s aim was to improve the ratio of foreign translation on the English-speaking market. “There are wonderful stories in Iceland and around the world that are not accessible to English speakers. We want to translate these extraordinary international literary works and authors and introduce them to new audiences worldwide.”
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .