It’s a pretty decent, if wide-ranging, group of books, which includes everything from Paul Auster’s latest to Sofi Oksanen’s Purge to our own Private Lives of Trees by Alejandro Zambra to fricking Freedom. In glancing through this, it’s difficult to figure out which recent books aren’t on the list.
But I think that’s sort of the point at this stage: to provide library patrons and general readers with a list of titles that covers most every interest and aesthetic. You want sci-fi? Try China Mieville’s Kraken. Scandinavian thriller? How about Nesbo’s The Snowman. From a librarian perspective, this sort of makes sense, and provides a solid list for putting together a decent “new titles” shelf.
Personally, I’m too distracted by the continued ugliness of their website to give this as much attention as it might deserve. There are a good number of books on this list that I haven’t heard of, but I’ll be damned if I click through to see what they’re about. I know I’ve been relatively quiet about shitty website design as of late,
mainly since some people can’t take a joke, but how hard is it to use the same color scheme and template across a handful of pages? The home page, News page, and list of titles all employ different looks and menus and colors. And this page looks like a seven-year-old’s first attempt at learning HTML. (Note the changing font-sizes. Classic.)
Websites don’t have to be overly flashy to be effective, but seeing that this is one of the richest literary prizes in the world, you’d think they’d drop $10K into putting together a site that doesn’t suck. End rant.
I am looking forward to seeing the shortlist (which will be announced in April 2012), especially since Dubravka Ugresic is one of judges . . . I have a feeling that list will be a pretty cool collection of titles. And a lot easier to process than this overwhelming list of books written by people about things.
Here’s the description from the Grove website:
A beautifully written, insightful, and devastating first novel, Man Gone Down is about a young black father of three in a biracial marriage trying to claim a piece of the American Dream he has bargained on since youth.
On the eve of the unnamed narrator’s thirty-fifth birthday, he finds himself broke, estranged from his white Boston Brahmin wife and three children, and living in the bedroom of a friend’s six-year-old child. He has four days to come up with the money to keep his family afloat, four days to try to make some sense of his life. He’s been getting by working
construction jobs though he’s known on the streets as “the professor,” as he was expected to make something out of his life.
Alternating between his past—as a child in inner-city Boston, he was bussed to the suburbs as part of the doomed attempts at integration in the 1970s—and the present in New York City where he is trying mightily to keep his children in private schools, we learn of his mother’s abuses, his father’s abandonment, raging alcoholism, and the best and worst intentions of a supposedly integrated America.
This is an extraordinary debut. It is a story of the American Dream gone awry, about what it’s like to feel preprogrammed to fail in life—and the urge to escape that sentence.
And from the jury:
“We never know his name. But the African-American protagonist of Michael Thomas’ masterful debut, Man Gone Down, will stay with readers for a long time. He lingers because this extraordinary novel comes to us from a writer of enthralling voice and startling insight. Tuned urgently to the way we live now, the winner of the International Dublin IMPAC Prize 2009 is a novel brilliant in its scope and energy, and deeply moving in its human warmth.”
The IMPAC is one of the richest literary awards in the world—Thomas will receive €100,000—and has brought a good deal of success and attention to recent winners, which include Per Petterson’s Out Stealing Horses, Rawi Hage’s De Niro’s Game, and Colm Tóibín’s The Master.
“The world’s richest literary award” was given out yesterday to the Lebanese-Canadian writer Rawi Hage for De Niro’s Game by Rawi Hage.
From The Guardian:
De Niro’s Game is set during the Lebanese civil war in the 1980s, its title alluding to the Russian roulette which features in the celebrated Vietnam film drama. In Hage’s novel, the private lives and morals of two young friends are pushed badly out of shape by the relentless stresses and brutality of the conflict raging around them. The judges’ citation, delivered at a ceremony in Dublin’s City Hall earlier, praised De Niro’s Game for its “originality, its power, its lyricism, as well as its humane appeal . . . the work of a major literary talent.”
I doubt this title will blow up the way Out Stealing Horses did, but this should bring a lot of attention to Hage, who sounds like a very interesting writer.
To follow up on last night’s brief post about the IMPAC Shortlist, be sure to check out the coverage at The Millions to find links to reviews of the books and/or interviews with the authors. (I wanted to do something similar, but this post is better than anything I would’ve come up with.)
Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .
Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .
Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .
If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .
I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .
Let’s not deceive ourselves, man is nothing very special. In fact, there are so many of us that our governments don’t know what to do with us at all. Six billion humans on the planet and only six or seven. . .
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .