OK, so I didn’t get to writing up all the things I wanted to this week, but before taking off for Amsterdam and the Non-Fiction Conference (see next post), I thought I’d share our Summer 2011 catalog.
With a little luck, I’ll highlight each of these next week, with excerpts and the like, but for now, here’s a list of all five titles along with links to their Open Letter pages, where you can find cover images, jacket copy, links to excerpts, author bios, etc., etc.
Excellent collection of Monzo’s stories, and the second book of his that we’re publishing. Next up: 1000 Morons.
This is the first of three Chejfec titles we’re publishing, the other two being The Dark and The Planets. First came across Chejfec in a post by Scott Esposito at Conversational Reading linking to a recommendation at Hermano Cerdo written by Enrique Vila-Matas about how totally awesome this book is. (Or some similar Spanish phrasing.) We then went on to buy the rights to all three books thanks to a brilliant excerpt that was in BOMB magazine.
This is one of the funniest books I’ve ever read. And the second Open Letter book in which guinea pigs are subjected to uncool things. I get the strangest reaction from friends when I try and describe just how funny the narrator’s guinea pig “experiments” are. Like the one with the record player. Or the stove. Or the bathtub. . . . Um, yeah. But seriously, it’s hysterical—mainly because of the voice of the befuddled, clueless narrator. And we have some awesome promotions in mind for this . . . none of which involve the harming of physical, living guinea pigs. Promise.
This new collection by Can Xue (who has also been published by New Directions, Northwestern, Yale, and Conjunctions) is the first Chinese title to come out from Open Letter. She’s a very interesting, unique writer who reminds me a bit of Rikki Ducornet. The stories are a bit surreal, surprising, and, at time, disorienting in a very pleasurable way.
We published Winterbach’s To Hell with Cronje last fall to some good attention. She’s a stark, interesting South African writer, and in the end, I think Book of Happenstance is an even better book than Cronje . . .
More all next week . . .
At 30, the Mexican writer Valeria Luiselli is already gathering her rosebuds. Faces in the Crowd, her poised debut novel, was published by Coffee House Press, along with her Brodsky-infused essay collection, Sidewalks. The essays stand as a theoretical map. . .
Fantomas Versus the Multinational Vampires: An Attainable Utopia (narrated by Julio Cortázar) is, not disappointingly, as wild a book as its title suggests. It is a half-novella half-graphic novel story about . . . what, exactly? A European tribunal, Latin. . .
Marie NDiaye has created a tiny, psychological masterpiece with her Self-Portrait in Green. In it she explores how our private fears and insecurities can distort what we believe to be real and can cause us to sabotage our intimate relationships.. . .
Reading a genre book—whether fantasy, science fiction, crime, thriller, etc.—which begins to seem excessively, stereotypically bad, I have to make sure to ask myself: is this parodying the flaws of the genre? Usually, this questioning takes its time coming. In. . .
The Sicilian Mafia has always been a rich subject for sensational crime fiction. The Godfather, Goodfellas, and The Sopranos worked the mob’s bloody corpses and family feuds to both entertainment and artistic value. Giuseppe di Piazza’s debut novel attempts this,. . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .