From Ed Nawotka’s article in today’s PW Daily:
Last year the Abu Dhabi Authority for Culture and Heritage (ADACH) of the United Arab Emirates launched “Kalima,” a project to translate books into Arabic; its stated aim was to translate 100 works. Late last month, the ruler of Dubai, Sheik Mohammed bin Rashid Al Maktoum, upped the ante: His eponymous foundation launched a similar project, albeit one that aims to translate 365 books in its first year – or, in other words, one per day.
Most of these are business books, but there is a good deal of literature being translated into Arabic, and overall, this is a pretty impressive program/investment.
Following up on earlier announcements, Ed Nawotka writes about Kalima’s ambitious program in today’s International Herald Tribune.
Part of the United Arab Emirates’ Authority for Culture and Heritage, Kalima is a nonprofit enterprise with the goal of translating 100 titles a year into Arabic and distributing them throughout the Middle East. Which sounds like it will be quite a challenge:
Karim Nagy, Kalima’s chief executive, acknowledges the hurdles. The Arabic-speaking world comprises about 300 million people in more than 20 countries. Censorship laws vary, and often there is no strong bookselling community or distribution channel.
“First, we will worry about getting the books translated,” he said. “Then we will work to optimize their distribution.”
To put this program in perspective, Nawokta cites some interesting figures:
About 10,000 books have been translated into Arabic in the past millennium, according to a 2003 study by the United Nations Development Program. The demand has been small, partly owing to the historical tendency to focus most reading on religious texts and classical poetry. About 300 new translations appear each year, so Kalima’s planned 100 titles represents a substantial addition.
Along with Europa Editions new enterprise Sharq/Gharb, the Arab world is about to get in an influx of international literature.
Kalima is still in the process of acquiring rights to its first 100 books, but the current list includes Milton’s Paradise Regained, Isaac Bashevis Singer’s Collected Stories, Alan Greenspan’s The Age of Turbulence, and The Kite Runner.
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .