The lovely and energetic Riky Stock just sent me a ton of information about this year’s Festival Neue Literatur, which will take place in NYC from February 10th-12th and is curated by the also lovely and energetic Susan Bernofsky.
Here’s all the info you need:
The Festival of New Literature (February 10-12, 2012) will take place for the third time at various locations throughout New York City. This year’s festival will feature American authors Chris Adrian and Francisco Goldman, alongside six featured German-language authors. Susan Bernofsky, curator of the 2012 Festival of New Literature, is delighted to have Adrian and Goldman take part: “We were very fortunate to be able to secure these two wonderful writers for our festival. They will enrich our panels by their participation, and I am very much looking forward to hearing them in conversation with our German writers, Larissa Boehning and Inka Parei, our Austrian authors Linda Stift and Erwin Uhrmann and with Monica Cantieni and Catalin Dorian Florescu from Switzerland.” In addition, celebrated author Daniel Kehlmann and literary critic Liesl Schillinger will moderate the panel discussions hosted at powerHouse SoHo, Brooklyn, and at McNally Jackson Books, SoHo, respectively.
Festival Neue Literatur is a joint project of the Austrian Cultural Forum, the Consulate General of Switzerland in New York, Deutsches Haus at NYU, Deutsches Haus at Columbia University, the German Book Office NY, the German Consulate General in New York, the Goethe-Institut New York and Pro Helvetia.
All of the following events will be in English and are free and open to the public:
How German Is It? Literary Voices from Germany, Austria and Switzerland. A Workshop in Collaboration with Columbia Students
February 10, 2012
1-5pm at Columbia University
Deutsches Haus, Columbia University
420 W. 116th St. (Between Amsterdam Avenue and Morningside Drive)
Six young novelists from Germany, Austria and Switzerland will present their latest work in a discussion with Columbia graduate students from the Department of Germanic Languages and the Writing Program.
Reinventing the Past: Chris Adrian, Catalin Dorian Florescu, Inka Parei and Linda Stift in conversation with Daniel Kehlmann
February 11, 2012
6pm at powerHouse Arena
37 Main Street, Brooklyn
Literature is often a delving into the past, made all but involuntary because the past has returned to haunt the present. Whether the history in question is familial, political or ancient, traces of old trauma can cast the present in a new light. This panel explores the different ways in which the past can be put to work in the name of storytelling.
Frühschoppen Literary Brunch
February 12, 2012
12pm at Deutsches Haus, NYU
42 Washington Mews
The six German-language authors of Festival Neue Literatur: Larissa Boehning, Monica Cantieni, Catalin Dorian Florescu, Inka Parei, Linda Stift and Erwin Uhrmann, give a sampling from their work, providing a taste of new writing from Austria, Germany and Switzerland. Enjoy traditional German fare. RSVP to: email@example.com.
Writing on the Margins: Literature between Cultures: Francisco Goldman, Monica Cantieni, Larissa Boehning and Erwin Uhrmann in conversation with Liesl Schillinger
February 12, 2012
6pm at McNally Jackson Books
52 Prince Street, SoHo
As in the United States, the literary scene in Europe is currently abuzz with hybridity and border crossings that explore the lives of characters who move between different cultural and ethnic worlds. There as here questions of power and authenticity are not far behind as these authors explore the sometimes explosive conditions that arise when cultures intersect and, yes, sometimes clash.
All the events are free, and all sound really interesting, so if you’re going to be in the area, you should definitely check these all out.
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .