In case you missed it, yesterday, Andrzej Sosnowski’s “Morning Edition” (as translated by Benjamin Paloff) was featured on Poetry Daily.
Here’s the full poem:
Garrulous mornings, dynamic
departures from the take-off of night,
mouths filled with words that snap
like a parachute behind the fighter
pilot landing on an aircraft carrier. Stop,
I think you misheard that. I think
it’s an Eastern European high pressure
area working on my nerves with signs
of sun beneath the still-closed
sluice of day, as the machinery
trembles before the grand opening
and the sun maneuvers toward the gates
already ready to enter, soar up, sail out
over the city with the dazzling pomp
of a heat wave. The rooks that spend
the night in the poplars in front of the house
have already flown to the fields,
but in sleep their dark racket was so very
talkative that I imagine it might be
possible to chat with birds
at some wild frequency,
head over heels, at daybreak,
because they run the same missions
at night as in the morning, so to hell
with the goggles and flight suit, let’s
file classified reports on the position
of enemies and friends on the Ocean
of Storms and the Sea of Vapors, the Sea
of Dreams and Crises, on the Sea
of Tranquility. How did the moon
get in here? And enemies? Let’s talk about
you instead: so what if you’re lousy
on the jump? You glide right off
the edge, where there is no end,
and it’s a long way down? Now
leapfrog: surely that umbrella
is a parachute? Sometimes
I’m afraid of this mumbling,
these words with missed connections,
from nowhere to nowhere, as if
my head shone ominously with lights
from a pinball machine, but under
whose control? Yours, or his there?
And do you remember Kloss? Ingolf
Mork! The inrun, take-off, flight
and landing: I go to the bathroom,
cold water, shower, splashes
of water like snow from under skis
and the head blown off the pint
into the faces of gawkers. I’d like
to jump that well, too. But something
doesn’t want to pass my throat
after the landing: could it be
that the night is dumbstruck, dazed
within me, speechless? Let’s
go get a beer.
Any poem is a good poem that ends with “Let’s go get a beer.” Speaking of . . .
Over the next few days, NPR’s Morning Edition is going to be featuring Chinese writers, as a part of their ‘China at 60’ series that’s looking at the history of the People’s Republic.
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They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
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Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .