The first set of Art Works grants from the NEA were announced this morning, and I’m incredibly giddy about the fact that Open Letter was awarded $45,000 for the following:
To support the publication and promotion of books in translation and the continuation of the translation website Three Percent. Works from Germany, Denmark, Bulgaria, Italy, Iceland, and Greece will be translated. The website features 50-70 book reviews per year; the Best Translated Book Awards; and posts on international awards, new works, opportunities for translators, the future and business of publishing, and book culture in general.
To make that a bit more specific, this grant will primarily support the publication and promotion of these five titles:
Two or Three Years Later by Ror Wolf, translated from the German by Jennifer Marquart;
This Is the Garden by Guilio Mozzi, translated from the Italian by Elizabeth Harris;
The Last Days of My Mother by Sölvi Björn Sigurðsson, translated from the Icelandic by Helga Soffía Einarsdóttir;
When We Leave Each Other by Henrik Nordbrandt, translated from the Danish by Patrick Phillips; and,
Why I Killed My Best Friend by Amanda Michalopoulou, translated from the Greek by Karen Emmerich.
We’ll be posting more information about all these titles as they become available (the Nordbrant poems will be coming out first, in April as part of National Poetry Month), and posting excerpts, etc.
So far, this has been a great week for Open Letter . . . And I recommend checking out the full list of literary organizations receiving NEA funding—it’s an absolutely stellar list of some of the best nonprofit lit orgs in the country.
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in _Morse, My Deaf Friend_— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .