One of my favorite parts of this job (aside from seeing our own books in print and on bookstore shelves) is opening the mail and seeing all the new books coming out. Especially when I receive things like the first two volumes of the new Borges series that Penguin Classics is bringing out next April.
These first two volumes—Poems of the Night and The Sonnets, pictured above and below—are coming out just in time for National Poetry Month, and by themselves are pretty amazing collections. Quoting from the jacket copy, Poems of the Night is “a moving collection of the great literary visionary’s poetic meditations on nighttime, darkness, and the crepuscular world of visions and dreams, themes that speak implicitly to the blindness that overtook him late in life.”
And The Sonnets contains, well, all of Borges’s sonnets, many of which are appearing in English for the first time.
Beyond the contents though, check this list of translators included in these volumes: Willis Barnstone, Robert Fitzgerald, Edith Grossman, Kenneth Krabbenhoft, Anthony Kerrigan, Stephen Kessler, John King, Suzanne Jill Levine (who is also the series editor, more below), Eric McHenry, Christopher Maurer, W. S. Merwin, Alastair Reid, Hoyt Rogers, Mark Strand, Charles Tomlinson, Alan S. Trueblood, and John Updike.
Now, about the series: I’d heard about this from John Siciliano and Jill Levine back some time ago, and thanks to the wonderful people at Penguin, I just got some additional info about all five volumes. These are based on the Collected Fiction, Selected Poetry, and Selected Nonfiction volumes that came out a few years ago, but each new volume includes new material as well. Kristen Scharold sent me this info about the next three volumes, which will come out in June of next year:
On Writing constitutes a guide to writing by one of the twentieth century’s most revered writers and literary thinkers. On Argentina constitutes a guide to Borges’s beloved Argentina and Buenos Aires—perfect for the literary traveler. On Mysticism, which is edited and introduced by Borges’s widow, Maria Kodama, is a collection of Borges’ essays, fiction, and poetry that explores the role of the mysterious and spiritual in Borges’ life and writing.
It’s always a good time to read Borges, and I have a feeling I’ll end up reading all five of these volumes over the next year . . . And speaking of Suzanne Jill Levine, here’s an interesting interview with her that recently appeared in Words Without Borders.
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .
I would like to pose the argument that it is rare for one to ever come across a truly passive protagonist in a novel. The protagonist (perhaps) of Three Light-Years, Claudio Viberti, is just that—a shy internist who lives in. . .
The last five days of the eleventh-century Icelandic politician, writer of sagas, and famous murder victim Snorri Sturleleson (the Norwegian spelling, Snorre, is preserved in the book) make up Thorvald Steen’s most recently translated historical fiction, The Little Horse. Murdered. . .
We all know Paris, or at least we think we know it. The Eiffel Tower. The Latin Quarter. The Champs-Élysées. The touristy stuff. In Dominique Fabre’s novel, Guys Like Me, we’re shown a different side of Paris: a gray, decaying. . .
One hundred pages into Birth of a Bridge, the prize-winning novel from French writer Maylis de Kerangal, the narrator describes how starting in November, birds come to nest in the wetlands of the fictional city of Coca, California, for three. . .