7 July 14 | Chad W. Post | Comments

The second quarterfinal matchup today features Mexican author Valeria Luiselli’s Faces in the Crowd up against Uruguay stalwart Mario Benedetti and his The Rest Is Jungle.

Luiselli got to this match by sliding past the Croatian representative Dubravka Ugresic and her Baba Yaga Laid an Egg 3-2 and then running rampant over Australia and Murnane’s Barley Patch by a score of 3-0.

Benedetti’s first-round matchup was against Costa Rica and Óscar Núñez Olivas’s Cadence of the Moon. He won by a score of 2-1. In the second round, The Rest Is Jungle triumphed over Allah Is Not Obliged by Ahmadou Kourouma by a score of 1-0.

Here we go!

Chad W. Post: Mexico

I said all I have to say about this book in my post on the second round. It’s brilliant in any context, and definitely deserves to move on to the semifinals.


Mexico 1 – Uruguay 0


Mauro Javier Cardenas: Mexico

It is exciting when a debut shows so much promise, so much wistfulness written in the kind of Spanish prose I prefer: an admixture of casual and literary, the American English of New York visiting paragraphs every now and again. No fue penal!


Mexico 2 – Uruguay 0


Katrine Jensen: Mexico

Everybody should read Faces in the Crowd. Read it for Luiselli’s language. Read it for the masterly translation by MacSweeney.


Mexico 3 – Uruguay 0


Nick Long: Mexico

Mexico (Faces in the Crowd) wins by its sheer pace, a literary zoetrope filled with allusions distilled into vignettes that dress up this boring match. The breadth and depth of Faces in the Crowd’s references are legion, and literature is just like soccer, in which things are always fluid and bribing the referee is usually the best plan of action. Mexico may not be able to win in Ohio, but calling upon the powers of d.a. levy was sufficient to bring victory to Faces in the Crowd (albeit not Dos a Cero).


Mexico 4 – Uruguay 0


Laura Radosh: Mexico

No match. Does Benedetti write well? Of course he does, he made it this far. Does it hold up to Luiselli’s fragmented wild ride through the (literary) ghosts of two cities? No. Win for Mexico.


Mexico 5 – Uruguay 0


Elianna Kan: Mexico

Mexico! A million times Mexico!


Mexico 6 – Uruguay 0


Kaija Straumanis: Mexico

I enjoyed Benedetti’s short stories—I really did. But not even 10 pages into Faces in the Crowd) I’m already so hooked, so much more interested in what the following pages will hold and what Luiselli will do with her novel that it already outshines most everything done in The Rest Is Jungle. Also, Luiselli is kind of hot and, well, Uruguayans bite people.


Mexico 7 – Uruguay 0


Well, that was rather convincing . . . Mexico annihilates Uruguay and cruised into the semifinals to play either France or America—we’ll find out if it’s Houellebecq or David Foster Wallace tomorrow . . .

——

Did Faces in the Crowd Deserve to Make it to the Semifinals?

Yes
No


....
The Cold Song
The Cold Song by Linn Ullmann
Reviewed by David Richardson

Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .

Read More >

This Life
This Life by Karel Schoeman
Reviewed by P. T. Smith

Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .

Read More >

A Dilemma
A Dilemma by Joris-Karl Hyusmans
Reviewed by Christopher Iacono

In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .

Read More >

Walker on Water
Walker on Water by Kristiina Ehin
Reviewed by P. T. Smith

There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .

Read More >

The Nightwatches of Bonaventura
The Nightwatches of Bonaventura by Bonaventura
Reviewed by J. T. Mahany

Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .

Read More >

Pavane for a Dead Princess
Pavane for a Dead Princess by Park Min-Gyu
Reviewed by Christopher Iacono

In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .

Read More >

Tram 83
Tram 83 by Fiston Mwanza Mujila
Reviewed by Caitlin Thomas

Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .

Read More >