As I mentioned some time ago, I was invited to participate in this year’s Non-Fiction Conference sponsored and organized by the Dutch Foundation for Literature. This year’s focus was on “Quality Non-Fiction in the Digital Era,” so there were a number of presentations about new developments, the future of publishing and reading, etc.
Unlike some of the other digitally-focused conferences I’ve attended (such as TOC Frankfurt), this was less about “what’s possible” and more about “what this means.” Which was refreshing and very interesting.
The foundation did record all of the talks, and has made most (soon to be all?) available on YouTube. (I personally love all the stills . . . We all look a bit over-enthused with our hand gestures and what not.)
All of the speeches were great, and to make this even easier, here are links and quick summaries to the speeches that are available:
Sara Lloyd of Pan Macmillan gave a great overview of where we are in terms of ebooks and the digital market.
Richard Nash’s speech isn’t online (yet), but he talked about the coming Age of Abundance and how economic theory provides a basis for arguing that this abundance will force prices to zero.
Jos de Mul talked about the impact of technology on human imagination from a philosophical perspective.
Harry Blom’s speech isn’t up yet either, but he talked about Springer and publishing edatabase versions of journals.
Henry Volans from Faber and Faber talked about this as well, but from a publisher’s perspective.
Nicky Harman discussed the role of translators in this digital age.
Finally, I talked about reading and discovery in the Age of Screens. But I’ll talk more about that in a separate post . . . For now, I just want to encourage you to check out some of these videos. I think you’ll find them very interesting and enjoyable. (And we were all limited to 10 minutes, so they’re short.)
Not sure how long this has been available online, but you can now download a lot of the presentations from the inaugural Tools of Change Frankfurt conference.
Lot of interesting ones, including:
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .
One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .
The best way to review Alejandra Pizarnik’s slim collection, A Musical Hell, published by New Directions as part of their Poetry Pamphlet series, is to begin by stating that it is poetry with a capital P: serious, dense, and, some. . .
Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .
When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .