Some English samples of the German Book Prize finalists are now available online at Signandsight.com. Specifically, they have samples available from:
Hopefully they’ll have excerpts of the other three finalists online soon.
The longlist for the 2007 German Book Prize was announced yesterday. (See the full list after the jump.)
Here’s what spokesperson for the judges, Felicitas von Lovenberg had to say about the selection of these 20 books from the 117 submitted titles:
“Without allowing ourselves to be seduced by celebrity or distracted by the pressure of originality, we have chosen twenty titles that reflect the unusual diversity and vitality in German-language literature as it presents itself this autumn in particular.”
Good to know that they stood up to the pressure of originality. It’s always a bad sign with originality counts for something.Read More...
Too bad directors aren’t always up to the task. Via signandsight.com:
Thomas Bernhard wrote his first full-length play “Ein Fest für Boris” ( A party for Boris) in 1966 for the Salzburg Festival, however the then president considered the grotesque drama about legless cripples “too dreary”: “We must take the nerves of our more sensitive guests into consideration.” Consequently the play was never performed there. Ulrich Weinzierl finds it fitting that it is opening the festival – which has proven capable of “swallowing much heavier fare” – this year, but is not entirely convinced of the approach of the young Berlin director Christiane Pohle. “In an attempt to do everything differently, she does a lot of damage. Pohle halves the number of cripples; the six of them loll about in lounge chairs, a combo plays in the background. The scene in which ‘Good’ gives the amputated Boris riding boots is eliminated, not replaced. And Boris doesn’t drum himself into death; he practices weebles until he dies, with Johannes’ help. It’s no wonder that ‘Good’ doesn’t ‘break out in horrible laughter’ – as Bernhard wanted it – but in fact is fighting back tears. And the sobbing finale is a massive belittlement, borderline kitsch.”
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .