29 December 08 | Chad W. Post | Comments

One other MLA thing worth mentioning is that Timothy Billings and Christopher Bush (of Middlebury College and Northwestern University respectively) won this year’s Aldo and Jeanne Scaglione Prize for their translation of Stèles by Victor Segalen, which was published by Wesleyan University Press in 2007.

NYRB published Segalen’s Rene Leys a few years back, and based on the bits I’ve read of Segalen’s biography, both of these books are on my “to read” shelf. Here’s a bit from a review of Stèles that appeared in The Believer (today it’s all about The Believer) earlier this year:

When Victor Segalen first printed Stèles in Beijing in 1912, the Republic of China had just been formed, ending two millennia of dynastic rule. When he expanded and republished the book in Paris in 1914, the Western powers were on the verge of successive world wars that would effectively end their colonial system of governance. Five years later, Segalen was dead at the age of forty-one, from either suicide or a severe foot injury suffered while taking a walk in the woods.

So when Segalen refers to “the crumbling unsteadiness of the Empire,” it’s not entirely clear to which sovereignty he’s referring, a situation made even more confusing by the fact that he was a European living in China who wrote sections of Stèles in the voice of an imaginary emperor. If this is history as an allegory for the psyche, then Segalen—unlike many writers, adventurers, and hippies before and since—didn’t go to the East to find himself. Rather, he was committed to “the intoxicating eddies of the great river Diversity,” along with a desire to saturate himself in Chinese culture.

11 January 08 | Chad W. Post | Comments

The fiftieth issue of The Believer is out and has a couple of pieces on international fiction.

The review of Havana Noir from Akashic Books is available online in full, and ends with a decent enough recommendation: “In Havana Noir, better than half the stories are truly gripping, and all of them resuscitate a dark Havana that seethes beneath the idealized island of our imagination.”

Unfortunately the review of Victor Segalen’s Steles is not, but the available excerpt captures what’s so intriguing about Segalen:

When Victor Segalen first printed Stèles in Beijing in 1912, the Republic of China had just been formed, ending two millennia of dynastic rule. When he expanded and republished the book in Paris in 1914, the Western powers were on the verge of successive world wars that would effectively end their colonial system of governance. Five years later, Segalen was dead at the age of forty-one, from either suicide or a severe foot injury suffered while taking a walk in the woods.

So when Segalen refers to “the crumbling unsteadiness of the Empire,” it’s not entirely clear to which sovereignty he’s referring, a situation made even more confusing by the fact that he was a European living in China who wrote sections of Stèles in the voice of an imaginary emperor. If this is history as an allegory for the psyche, then Segalen—unlike many writers, adventurers, and hippies before and since—didn’t go to the East to find himself. Rather, he was committed to “the intoxicating eddies of the great river Diversity,” along with a desire to saturate himself in Chinese culture.

Finally, there’s a review of Jenny Erpenbeck’s The Book of Words that has a great opening: “The Book of Words is a sinisterly lyrical novel.”

....
One of Us Is Sleeping
One of Us Is Sleeping by Josefine Klougart
Reviewed by Jeremy Garber

We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .

Read More >

Bye Bye Blondie
Bye Bye Blondie by Virginie Despentes
Reviewed by Emma Ramadan

Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .

Read More >

La Superba
La Superba by Ilja Leonard Pfeijffer
Reviewed by Anna Alden

Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .

Read More >

Intervenir/Intervene
Intervenir/Intervene by Dolores Dorantes; Rodrigo Flores Sánchez
Reviewed by Vincent Francone

It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .

Read More >

All Days Are Night
All Days Are Night by Peter Stamm
Reviewed by Lori Feathers

As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .

Read More >

The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >