23 April 14 | Chad W. Post | Comments

With this post we’re kicking off the “Why This Book Should Win” series for this year’s BTBA Poetry Finalists. This piece is by judge Anna Rosenwong.

His Days Go By the Way Her Years by Ye Mimi, translated from the Chinese by Steve Bradbury (Taiwan; Anomalous Press)

the train sidles into the station at the stroke of noon   like a tidy row of bento
you toss off your mackintosh       and fly, fly away
calling to mind a practical exercise     slanting rhymes:

bite off the break
skirt the precipitous brink

the ghosts in the first level basement
await
the coming of man from Mars

you open up your backpack then
knock back a bootle of Español
for that next tastefully unfamiliar excursion

(Ye Mimi excerpted from “I Didn’t Know You Didn’t Know I Didn’t Know: For ‘Sis’” )

In the end, only one chapbook proved muscular enough to make it onto the BTBA poetry shortlist. And at just 29 bilingual pages and 10 poems, it does feel audacious to set this slim introduction to a young poet against the likes of a door-stopping volume of Roberto Bolaño’s complete poetry and a long overdue first English collection of Sohrab Sepehri, one of Iran’s foremost poets of the 20th century. But Ye Mimi’s His Days Go By the Way Her Years is an audacious book. Its limited run was beautifully letterpress printed by Erica Mena at the envelope-pushing Anomalous Press, having been chosen as a finalist in their inaugural chapbook contest by Christian Hawkey. Most importantly, the marvel of its translation comes thanks to that passionate proponent of experimental Taiwanese poetry and beloved American Literary Translators Association stalwart, Steve Bradbury. In less virtuosic and fearless hands than his, this collection would be an impossibility. I am grateful to all of these collaborators for introducing me to Ye Mimi and her swirling, sometimes manic charm. Chapbooks are often overlooked, but they represent an unparalleled avenue for small, ambitious publishers to bring us the world.

The ten exclamatory, cuttingly modern poems of His Days Go By the Way Her Years are shot through with sonic gamesmanship, punning, the unbridled verbing of nouns, and voraciously transcultural allusion. Many also perform an oscillation between coy formal disruption and seductive dream logic, as in the typographically resistant line: “\ every one of the ◻◻ / could find themselves sluiced by the ◻◻◻ into a water melon frappe of a summer season.” The poems are well aware of their own cleverness, but resist turning precious as they revel in grotesque particulars and subversions of the ordinary stuff of life and poetic diction. In “The More Car the More Far,” Ye Mimi asserts:

Solitude is somewhat sweeter than water.
Fish are crunchier on the outside, softer in the middle than the sea.
From this day henceforth I will go forth and wilderness the wilderness.
She sang.

Ye Mimi does sing, and His Days Go By the Way Her Years represents just a small sample of Bradbury’s translations of her work. May it pave the way for more joyful, defiant, aggressively wonderful poems, more wildernessing, more international literary prizes for Ye Mimi!

27 September 11 | Chad W. Post | Comments

Not sure why/how we haven’t written about this until now, but there’s a new online literary journal called Anomalous that’s worth checking out, especially now that they just released their third issue.

Founded and run by Erica Mena, Anomalous came into being in earlier this year

as a non-profit press dedicated to the diffusion of writing in the forms it can take. Its backbone is an editorial collective from different backgrounds and geographies that keep an eye out for compelling projects that, in any number of ways, challenge expectations of what writing and reading should be.

At the time of its launch, Anomalous is an online publication, available in both visual and audio forms on various platforms. It has its sights set on publishing chapbooks, advancing audio forms and creation, and supporting all sorts of alternative realities of the near future.

A lot of translation people are involved with this, both in terms of providing content, and on the masthead.

In this new issue — which you can download for free as a PDF, audiobook, ePub file, or Kindle version — you’ll find a Mani Rao’s translation from the Sanskrit of Guru-astakam, attributed to Sankara along with Dick Cluster’s translation from the Spanish ob “The Sign” by Pedro de Jesus, original poems by translator Anna Rosen Guercio, original work from fellow translator John Pluecker, part of Andrew Barrett’s translation from the Ancient Greek of Nonnus’ Dionysiaca, and Steve Bradbury’s translation from the Chinese of Hsia Yu’s “Lining Up to Pay,” along with work from a dozen other writers.

There’s a lot of poetry in here, which is one thing that really sets Anomalous apart. (That and the fact that every issue has an audiobook version.) It’s a very nice publication, and one that I’m sure we’ll be referencing again in the future.

....
Writers
Writers by Antoine Volodine
Reviewed by P. T. Smith

Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .

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My Brilliant Friend
My Brilliant Friend by Elena Ferrante
Reviewed by Acacia O'Connor

It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .

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Stealth
Stealth by Sonallah Ibrahim
Reviewed by Christopher Iacono

From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .

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Miruna, a Tale
Miruna, a Tale by Bogdan Suceavă
Reviewed by Alta Ifland

Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .

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Kamal Jann
Kamal Jann by Dominique Eddé
Reviewed by Lori Feathers

Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .

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I Called Him Necktie
I Called Him Necktie by Milena Michiko Flašar
Reviewed by Christopher Iacono

While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.

Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .

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Return to Killybegs
Return to Killybegs by Sorj Chalandon
Reviewed by Vincent Francone

The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .

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