23 April 14 | Chad W. Post | Comments

With this post we’re kicking off the “Why This Book Should Win” series for this year’s BTBA Poetry Finalists. This piece is by judge Anna Rosenwong.

His Days Go By the Way Her Years by Ye Mimi, translated from the Chinese by Steve Bradbury (Taiwan; Anomalous Press)

the train sidles into the station at the stroke of noon   like a tidy row of bento
you toss off your mackintosh       and fly, fly away
calling to mind a practical exercise     slanting rhymes:

bite off the break
skirt the precipitous brink

the ghosts in the first level basement
the coming of man from Mars

you open up your backpack then
knock back a bootle of Español
for that next tastefully unfamiliar excursion

(Ye Mimi excerpted from “I Didn’t Know You Didn’t Know I Didn’t Know: For ‘Sis’” )

In the end, only one chapbook proved muscular enough to make it onto the BTBA poetry shortlist. And at just 29 bilingual pages and 10 poems, it does feel audacious to set this slim introduction to a young poet against the likes of a door-stopping volume of Roberto Bolaño’s complete poetry and a long overdue first English collection of Sohrab Sepehri, one of Iran’s foremost poets of the 20th century. But Ye Mimi’s His Days Go By the Way Her Years is an audacious book. Its limited run was beautifully letterpress printed by Erica Mena at the envelope-pushing Anomalous Press, having been chosen as a finalist in their inaugural chapbook contest by Christian Hawkey. Most importantly, the marvel of its translation comes thanks to that passionate proponent of experimental Taiwanese poetry and beloved American Literary Translators Association stalwart, Steve Bradbury. In less virtuosic and fearless hands than his, this collection would be an impossibility. I am grateful to all of these collaborators for introducing me to Ye Mimi and her swirling, sometimes manic charm. Chapbooks are often overlooked, but they represent an unparalleled avenue for small, ambitious publishers to bring us the world.

The ten exclamatory, cuttingly modern poems of His Days Go By the Way Her Years are shot through with sonic gamesmanship, punning, the unbridled verbing of nouns, and voraciously transcultural allusion. Many also perform an oscillation between coy formal disruption and seductive dream logic, as in the typographically resistant line: “\ every one of the ◻◻ / could find themselves sluiced by the ◻◻◻ into a water melon frappe of a summer season.” The poems are well aware of their own cleverness, but resist turning precious as they revel in grotesque particulars and subversions of the ordinary stuff of life and poetic diction. In “The More Car the More Far,” Ye Mimi asserts:

Solitude is somewhat sweeter than water.
Fish are crunchier on the outside, softer in the middle than the sea.
From this day henceforth I will go forth and wilderness the wilderness.
She sang.

Ye Mimi does sing, and His Days Go By the Way Her Years represents just a small sample of Bradbury’s translations of her work. May it pave the way for more joyful, defiant, aggressively wonderful poems, more wildernessing, more international literary prizes for Ye Mimi!

27 September 11 | Chad W. Post | Comments

Not sure why/how we haven’t written about this until now, but there’s a new online literary journal called Anomalous that’s worth checking out, especially now that they just released their third issue.

Founded and run by Erica Mena, Anomalous came into being in earlier this year

as a non-profit press dedicated to the diffusion of writing in the forms it can take. Its backbone is an editorial collective from different backgrounds and geographies that keep an eye out for compelling projects that, in any number of ways, challenge expectations of what writing and reading should be.

At the time of its launch, Anomalous is an online publication, available in both visual and audio forms on various platforms. It has its sights set on publishing chapbooks, advancing audio forms and creation, and supporting all sorts of alternative realities of the near future.

A lot of translation people are involved with this, both in terms of providing content, and on the masthead.

In this new issue — which you can download for free as a PDF, audiobook, ePub file, or Kindle version — you’ll find a Mani Rao’s translation from the Sanskrit of Guru-astakam, attributed to Sankara along with Dick Cluster’s translation from the Spanish ob “The Sign” by Pedro de Jesus, original poems by translator Anna Rosen Guercio, original work from fellow translator John Pluecker, part of Andrew Barrett’s translation from the Ancient Greek of Nonnus’ Dionysiaca, and Steve Bradbury’s translation from the Chinese of Hsia Yu’s “Lining Up to Pay,” along with work from a dozen other writers.

There’s a lot of poetry in here, which is one thing that really sets Anomalous apart. (That and the fact that every issue has an audiobook version.) It’s a very nice publication, and one that I’m sure we’ll be referencing again in the future.

I Remember Nightfall
I Remember Nightfall by Marosa di Giorgio
Reviewed by Talia Franks

I Remember Nightfall by Marosa di Giorgio (trans. From the Spanish by Jeannine Marie Pitas) is a bilingual poetry volume in four parts, consisting of the poems “The History of Violets,” “Magnolia,” “The War of the Orchards,” and “The Native. . .

Read More >

Joyce y las gallinas
Joyce y las gallinas by Anna Ballbona
Reviewed by Brendan Riley

This review was originally published as a report on the book at New Spanish Books, and has been reprinted here with permission of the reviewer. The book was originally published in the Catalan by Anagrama as Joyce i les. . .

Read More >

Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World
Lost in Translation: An Illustrated Compendium of Untranslatable Words from Around the World by Ella Frances Sanders
Reviewed by Kaija Straumanis

Hello and greetings in the 2017 holiday season!

For those of you still looking for something to gift a friend or family member this winter season, or if you’re on the lookout for something to gift in the. . .

Read More >

The Size of the World
The Size of the World by Branko Anđić
Reviewed by Jaimie Lau

Three generations of men—a storyteller, his father and his son—encompass this book’s world. . . . it is a world of historical confusion, illusion, and hope of three generations of Belgraders.

The first and last sentences of the first. . .

Read More >

Island of Point Nemo
Island of Point Nemo by Jean-Marie Blas de Roblès
Reviewed by Katherine Rucker

The Island of Point Nemo is a novel tour by plane, train, automobile, blimp, horse, and submarine through a world that I can only hope is what Jean-Marie Blas de Roblès’s psyche looks like, giant squids and all.

What. . .

Read More >

The Truce
The Truce by Mario Benedetti
Reviewed by Adrianne Aron

Mario Benedetti (1920-2009), Uruguay’s most beloved writer, was a man who loved to bend the rules. He gave his haikus as many syllables as fit his mood, and wrote a play divided into sections instead of acts. In his country,. . .

Read More >

I Am a Season That Does Not Exist in the World
I Am a Season That Does Not Exist in the World by Kim Kyung Ju
Reviewed by Jacob Rogers

Kim Kyung Ju’s I Am a Season That Does Not Exist in the World, translated from the Korean by Jake Levine, is a wonderful absurdist poetry collection. It’s a mix of verse and prose poems, or even poems in the. . .

Read More >