The call for submissions for the 2010 Susan Sontag Prize for Translation was posted last week, and this year the focus is on translations from Swedish, Norwegian, Danish, and Icelandic.
This prize was launched two years ago to encourage the development of young literary translators. Applicants must be under the age of 30 on the date the prize is announced (in this case May 14, 2010) and if selected, they are expected to be able to complete their translation by October 2010.
Every year the Foundation chooses a different language/region to highlight: in 2008 it was German, and last year was Spanish. Personally, following my trip to Iceland and the grand success of Jan Kjerstad’s books, I’m very interested to see how this year’s award turns out. (Coincidentally, of the winner and two honorable mentions named in 2009, we’re publishing both Juan Jose Saer and Sergio Chejfec, although we have yet to sign on either Roanna Sharp’s or Emily Toder’s translations.)
Applications are due by February 13th, 2010, which gives interested translators a decent amount of time to get all the necessary materials together . . .
I don’t think I received a press release about this, but the 2009 Susan Sontag Prize for Translation has been awarded to Roanne Sharp for her proposed translation of La Mayor by Juan Jose Saer. Which is fantastic—we’re actually publishing three Saer books over the next few years, but not this one. . . . At least not yet.
The award is given to a young (under the age of 30) literary translation for a proposed project. Each year the prize focuses on a different language (last year it was German), and following the announcement, the translator is “employed” for a four-month period to complete the project. (This is one I can’t wait to read . . . )
In addition to Roanne Sharp, there were two honorable mentions this year:
Congrats to Roanne Sharp at the runner-ups, and I’ll be sure to make an announcement about submitting work for the 2010 award as soon as the info is available.
We posted about the Susan Sontag Prize for Translation when the call for submissions went out, and it was just announced that Kristin Dickinson (who did her undergrad work at the University of Rochester), Robin Ellis, and Priscilla Layne won for their collaborative translation of Koppstoff: Kanaka Sprak vom Rande der Gesellschaft by Feridun Zaimoglu.
Feridun Zaimoglu’s Koppstoff: Kanaka Sprak vom Rande der Gesellschaft (1998) presents the fictionalized voices of 26 women of Turkish heritage living in Germany. “Koppstoff,” which when translated literally means “head material,” refers not only to the headscarf worn on the heads of many Muslim women, but also to what is going on in their heads – their thoughts, perspectives and inner lives. Zaimoglu resists any neat categorization of Muslim women by presenting a diverse range of voices: from cleaning women to professionals, from political activists to prostitutes. Koppstoff challenges readers to rethink conventions of religion, nationalism and femininity, and is globally significant for its contribution to debates on immigration, assimilation and discrimination–issues that resonate far beyond Germany’s borders.
Sounds interesting, and hopefully will find a publisher in the very near future . . .
The historian John Lukacs observed, “Fictitious characters may represent characteristic tendencies and potentialities that existed in the past” and thus “may serve the historian under certain circumstances—when, for example, these are prototypical representations of certain contemporary realities.” Eugen Ruge’s In. . .
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .