15 July 13 | Chad W. Post | Comments

The 2013 Susan Sontag Prize for Translation was just announced, with Nathaniel Rudavsky-Brody receiving this year’s honors for his translation of Benjamin Fondane’s Ulysse.

Not much info up on the Sontag site yet, although I think this literally just went online. (I’ve been refreshing that page like a crack addict in hopes the U of R student and Volodine translator J.T. Mahany would win . . . )

Anyway, the Center for the Art of Translation/Two Lines has a bit of Ulysse available on their website:

The world opens within us at the view of ships
departing—they depart with their hair in the wind
returning—they return old and decrepit
in the dance of lights,
in the farewell revels of ports
like invalids
seated while everyone dances.

And here’s a bit of info about the author and translator:

Benjamin Fondane (1893-1944) published poems, translations and criticism in his native Romania before moving to Paris in 1923. After devoting seven years to perfecting his French, he resumed his literary activity in that language. His works include the long poems Ulysses (1933), Titanic (1937), and Exodus, and The Sorrows of Ghosts (both posthumous), as well as works of criticism on Baudelaire, Rimbaud and his mentor, the philosopher Lev Chestov.

Nathaniel Rudavsky-Brody lives in Brussels, where he works as a programmer in digital publishing. He studied math in Chicago and medieval literature in Poitiers and Paris. He has published translations of Benjamin Fondane and an article on the philosophy of sailing.

Congrats to Nathaniel and everyone who entered.

10 September 08 | Chad W. Post | Comments

The Susan Sontag Foundation recently released information about their 2009 translation prize, this time awarding young translators working on Spanish into English projects:

This $5,000 grant will be awarded to a proposed work of literary translation from Spanish into English and is open to anyone under the age of 30. The translation must fall under the category of fiction or letters, and the applicant will propose his or her own translation project. The project should be manageable for a five-month period of work, as the grant will be awarded in May 2009, and the translation must be completed by October 2009.

I think this is a really cool prize, and was very impressed with the work the 2008 winners (Kristin Dickinson, Robin Ellis, and Priscilla Layne) did on Koppstoff: Kanaka Sprak vom Rande der Gesellschaft by Feridun Zaimoglu.

There’s still plenty of time for any and all young translators out there to apply. And even if you’re not applying, you should definitely check out the redesigned website—it looks really slick.

4 September 07 | Chad W. Post | Comments

I just found out about this (literally), but for any undergrad or graduate translators from German under the age of 30, here’s some info on the 2008 Susan Sontag Prize for Translation.

This $5,000 prize will commission a work of literary translation by a university undergraduate or graduate student under the age of 30. The translation must be written from German into English, and must be a work of contemporary fiction by a living German writer. The translation must fall under the category of fiction or letters. The student will propose his or her own translation project; acceptable proposals include a novella, a play, a collection of short stories or poems, or a collection of letters that have literary import. The project should be manageable for a five-month period of work; the commission will be granted in May 2008, and the translation must be completed by October 2008.

Visit the Susan Sontag site for more info. (BTW: I assume the January 30, 2007 deadline is just a typo.)

And feel contact me if you think Open Letter might be interested in your project . . .

....
Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

Read More >

Nothing Ever Happens
Nothing Ever Happens by José Ovejero
Reviewed by Juan Carlos Postigo

You are not ashamed of what you do, but of what they see you do. Without realizing it, life can be an accumulation of secrets that permeates every last minute of our routine . . .

The narrative history of. . .

Read More >

The Pendragon Legend
The Pendragon Legend by Antal Szerb
Reviewed by P. T. Smith

Literature in translation often comes with a certain pedigree. In this little corner of the world, with so few books making it into this comforting nook, it is often those of the highest quality that cross through, and attention is. . .

Read More >