This is for all the CNY folks: Paul Auster will be on campus on September 30th to give a George H. Ford Lecture on “Fiction and Translation.” This event is being co-sponsored by the George H. Ford Lecture Fund, the Department of English, and the Reading the World Conversation Series.
Very cool opportunity to see Auster in an intimate setting (if you consider a room that seats 150 people to be intimate), and I’m sure he’ll have a lot of interesting things to say about translation. He’s always been a big advocate of French—and world—literature, and has published a number of translations, including pieces by Edmond Jabes, Pierre Clastres, Jacques Dupin, and others. (The complete list is available here.)
The event will take place from 5-6 on Thursday, September 30th in the Hawkins-Carlson Room in the Rush Rhees Library on the University of Rochester’s campus. Should be cool, should be crowded. I recommend getting there early, since there’s no ticketing process . . .
With our Politics of Translation event coming up next Monday, this seems like a good time to post the video of a different event that we hosted last fall.
As part of the Reading the World Conversation Series, this “Translators’ Roundtable” brought together four literary translators—who work in a variety of languages and genres—to discuss their experiences. The conversation explored a number of different topics, from how they got started as translators, to the obstacles of retranslating classic works, to translating film scripts during the writers’ strike, etc.
In attendance were Michael Emmerich, Edward Gauvin, Marian Schwartz, and Martha Tennent. There’s a lot of brilliant discussion here—one of my favorite points coming from Michael who makes a case to those who lean on the phrase “Lost in Translation” that it is, instead, and “100% gain.”
Beginning this fall semester (which is literally upon us), undergraduates at the University of Rochester will be able to receive a Certificate in Literary Translation Studies. This info has been at the bottom of the page since we went live, but for anyone interested, we now have PDFs of the requirements and application form.
John Michael (firstname.lastname@example.org) is the CLTS advisor, so please feel free to contact him with any questions.
Information about graduate-level programs will be available later this year.
Gustavo Faverón Patriau’s The Antiquarian, translated by Joseph Mulligan, is a genre-blending novel, a complete immersion that delves into a lesser-used niche of genre: horror, gothic, the weird. There are visual horrors, psychological ones, and dark corners with threats lurking.. . .
What a wonderful, idiosyncratic book Weinberger has written. I say book, but the closest comparison I could make to other works being published right now are from Sylph Edition’s “Cahiers Series“—short pamphlet-like meditations by notable writers such as Ann Carson,. . .
Early in Sun-mi Hwang’s novel The Hen Who Dreamed She Could Fly, the main character, a hen named Sprout, learns about sacrifice. After refusing to lay any more eggs for the farmer who owns her, she becomes “culled” and released. . .
When Sankya was published in Russia in 2006, it became a sensation. It won the Yasnaya Polyana Award (bestowed by direct descendants of Leo Tolstoy) and was shortlisted for the Russian Booker and the National Bestseller Award. Every member of. . .
Stalin is Dead by Rachel Shihor has been repeatedly described as kafkaesque, which strikes a chord in many individuals, causing them to run to the bookstore in the middle of the night to be consumed by surreal situations that no. . .
Paradises by cult Argentinian author Iosi Havilio is the continuation of his earlier novel, Open Door, and tells the story of our narrator, a young, unnamed Argentinian woman.
The very first sentence in Paradises echoes the opening of Camus’s The Outsider. . .
This pearl from New Directions contains one short story from Russian literary master Fyodor Dostoevsky (translated by Constance Garnett) and one short story from Uruguayan forefather of magical realism Felisberto Hernández (translated by Esther Allen). Both pieces are entitled “The. . .