As announced earlier, Open Letter, the Elizabeth Kostova Foundation, and the America for Bulgarian Foundation sponsor a yearly contest to bring attention to the best of contemporary Bulgarian literature, with Open Letter publishing the winning title (or titles in this case).
This contest was launched in 2010, when Francis Bickmore of Canongate helped me select Milen Ruskov’s Thrown into Nature as the top entry of the year. (Milen’s book was just released—for more info on the book and how to purchase it, click here. You can also read a long sample here.)
For this year’s contest, Courtney Hodell of FSG joined me as a judge, and we went through 27 submissions ranging from the highly literary and experimental to thrillers to more spiritual pieces. It was a tough contest to judge, what with so many admirable and interesting entries, so in the end we ended up choosing two books: Angel Igov’s A Short Tale of Shame and Zachary Karabashliev’s 18% Gray. Both of these are being translated by Angela Rodel (who also did Thrown into Nature), and we’re planning on bringing out 18% Gray in November 2012, and A Short Tale of Shame in April 2013.
In addition, Courtney and I chose four runners-up: Ivan Dimitrov’s Life As a Missing Spoon, Ivanka Mogilska’s Hideaways, Vladislav Todorov’s Zincograph, and Vessel Tsankov’s _Pixel. Excerpts from all of these will appear on Contemporary Bulgarian Writers and on Three Percent.
Going back to the two winners, I’ll put up individual posts for both books with excerpts, descriptions, etc., etc. They’re quite different in terms of writing style—Shame consists of a series of internal monologues from different characters, 18% Gray is more cinematic and fast-paced—but both will make excellent additions to our list.
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .