Over the past few years, Amazon.com has been awarding grants to a number of interesting projects, including a lot of ones related to literature in translation. Their list of grantees includes Open Letter (for The Wall in My Head,), PEN America (for the Translation Fund), Words Without Borders, Copper Canyon, Milkweed, Asian American Writers’ Workshop, Poets & Writers, Small Press Distribution, etc., etc.
The latest addition to the list is the extremely worthy Archipelago Books:
Archipelago Books is delighted to announce today that it is among a diverse group of nonprofit organizations to receive a $25,000 grant from Amazon.com. Archipelago Books is a Brooklyn, NY-based not-for-profit press dedicated to publishing world literature in translation. The generous grant from Amazon.com will be used to support the forthcoming publication of the novel Stone Upon Stone, written by Nike Prize-winning author Wiesaw Myliwski and translated from the Polish by Bill Johnston. The novel will be released in December of 2010.
Myliwski’s novels and plays, among them Widnokrag [Horizon] (1996) and Traktat o uskaniu fasoli [A Treatise on Shelling Beans] (2006) focus on life in the Polish countryside. Although he has twice received the Nike Award (the Polish equivalent of the Booker Prize), Stone Upon Stone will be Myliwski’s first work published in English translation. Stone Upon Stone has already received much praise in the Polish press. Anna Tatarkiewicz called the novel “the first masterpiece in Slavic literature, perhaps even in European literature, in which the fate of the peasant attains the standing of human fate in all its tragic vastness.” Meanwhile, Krystyna Dabrowska hailed the novel as “A hymn in praise of life. . . . A paean to speech and the art of storytelling.”
So great to see Amazon.com continue this program and their support of very interesting projects and presses.
And since everything’s connected, here’s a link to the most recent episode of the Reading the World podcast which features Bill Johnston talking about the process of translating Stone Upon Stone.
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .
Mahasweta Devi is not only one of the most prolific Bengali authors, but she’s also an important activist. In fact, for Devi, the two seem to go together. As you can probably tell from the titles, she writes about women. . .
The prolific Spanish author Benito Pérez Galdós wrote his short novel, Tristana, during the closing years of the nineteenth century, a time when very few options were available to women of limited financial means who did not want a husband.. . .
Pedro Zarraluki’s The History of Silence (trans. Nick Caistor and Lorenza García) begins with the narrator and his wife, Irene, setting out to write a book about silence, itself called The History of Silence: “This is the story of how. . .
There are plenty of reasons you can fail to find the rhythm of a book. Sometimes it’s a matter of discarding initial assumptions or impressions, sometimes of resetting oneself. Zigmunds Skujiņš’s Flesh-Coloured Dominoes was a defining experience in the necessity. . .
In a culture that privileges prose, reviewing poetry is fairly pointless. And I’ve long since stopped caring about what the world reads and dropped the crusade to get Americans to read more poems. Part of the fault, as I’ve suggested. . .