I just got back from a 24-hour (or so) happy time on the hotel roof complete with champagne and fish sticks, and, seeing that we need to check out of the hotel at 8:30am tomorrow to leave for FLIP, I think I’m going to beg off my planned photojournal post (we viste a favela today) and just recommend a Brazilian book: All Dogs Are Blue by Rodrigo de Souza Leão, translated from the Brazilian Portuguese by Zoë Perry & Stefan Tobler, and forthcoming from And Other Stories.
Rimbaud used to do a dance called the Dance of the Blue Pelican. It was one hell of a wiggly dance, using all parts of his body. He learnt it in Africa, he says. But were there any pelicans in Africa? He was free to say whatever he wanted. Actually we all are, but whether it’s true or not is another matter. The truth can be such a sloppy invention and still convince everyone. You just have to be forceful. Or take advantage of people’s natural gullibility.
According to the jacket copy:
All Dogs are Blue is a fiery and scurrilously funny tale of life in a Rio de Janeiro insane asylum. Our narrator is upset by his ever-widening girth and kept awake by the Rio funk blaring from a nearby favela – fair enough, but what about the undercover agents infiltrating the asylum? He misses the toy dog of his childhood, keeps high literary company with two hallucinations, Rimbaud (a mischief-maker) and Baudelaire (a bit too serious for him), and finds himself the leader of a popular cult.
All Dogs are Blue burst onto the Brazilian literary scene in 2008. Its raw style and comic inventiveness took readers by storm. But it was to be Rodrigo de Souza Leão’s last masterpiece. He died that year, aged 43, in a psychiatric clinic.
And one more quote:
I stopped getting bayoneted. I started oral medication. Oral medication is easy to trick your way out of. I know which drugs I take. I always spit the ones I don’t want down the sink. The ideal way to deter that would be effervescent drugs. Of course the feebleminded are totally out of it and take their drugs properly.
Time to watch television. Time for the Addams family to get together. All the nutters would ge together to watch the soap opera. A sergeant, a street cleaner, other dimwits and one guy who beats his head against the wall every two minutes.
I’ve already told that little doctor that he’s going to do his head in. He’s going to have a serious stroke. I blsjdsomdkm0ooooeeirrrriruuuuruuiirrriiirii.
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .
The opening of Jón Gnarr’s novel/memoir The Indian is a playful bit of extravagant ego, telling the traditional story of creation, where the “Let there be light!” moment is also the moment of his birth on January 2nd, 1967. Then. . .