The new issue of Words Without Borders is now online:
In the spirit of Independence Day and Bastille Day, we salute freedom fighters of all stripes with writing about revolution. In the pulsing heat of Che’s Havana and the gray chill of Lenin’s Moscow, on ravaged battlefields and blasted domestic fronts, writers storm citadels and oust tyrants in campaigns for personal and political liberty.
Lot of interesting pieces already up, including Fransesc Seres’s A Tongue of Lead (Seres also has a piece in the “New Catalan Fiction” issue of the Review of Contemporary Fiction worth checking out) and an excerpt of Chaabi, a graphic novel by Xavier Delaporte and Richard Marazano translated by Edward Gauvin. (Edward will be participating in a Translator’s Roundtable here at the University of Rochester on October 1st and talking about the nature and difficulties of translating graphic novels. And movie scripts.)
There’s also a piece by Michael Kleeberg translated by David Dollenmayer, this year’s Helen and Kurt Wolff Translation Prize winner, and a review of Elena Ferrante’s The Lost Daughter. (We posted a review of this yesterday as well.)
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Over the past decade, Seven Stories has brought out a number of Annie Ernaux titles, including A Man’s Place, A Woman’s Story, and A Simple Passion to great critical acclaim. The Possession, which was originally published in France in 2002,. . .
If it weren’t for Michael Orthofer of Complete Review, I don’t think I would’ve ever picked up this slender book. I don’t mind my vampires on TV (True Blood is a pretty decent show), but I tend to avoid them. . .
Inger Christensen, who passed away in January of this year, is best known in America as an experimental poet, if she is known at all. Now the second of her three novels (also the second to appear in English; Harvill. . .
“What a crazy idea that was—to change the name of the KGB. One of the greatest brand names ever was simply destroyed!”
Pelevin has a great knack for relaying the oddities of the Russian condition in terms that almost anyone. . .
Imagine the scene we are all familiar with: you are writing up a C.V. to send out to those who might judge your capabilities, your efficacies, and the quality of your existence to date from what you were able to. . .
The first time I heard of Juan Filloy was during an editorial trip to Germany, organized by the German Book Office and including a day of “speed dating” with other publishers. It was at one of my first “dates” that. . .
Hans Eichner’s first novel (and last—he passed away earlier this year), originally published in 2000 in Austria, was released in English last month, directly after the eminent German scholar’s death. Kahn & Engelmann opens with a joke: a traveling. . .
Penetrating, beautifully sparse, and eerie in its stillness, Gerbrand Bakker’s The Twin tells the story of Helmer van Wonderen, an aging farmer whose life has been characterized by passivity, inaction, and a profound sense of isolation. Having begrudgingly taken over. . .
Of the three authors featured in the prose poem collection Memory Glyphs, beautifully translated from the Romanian by Adam Sorkin with Mircea Ivanescu, Bogdan Stefanescu and one of the poets (Radu Andriescu), only the latter is still alive. From the. . .
Françoise Sagan rocketed to international fame with her debut novel Bonjour, Tristesse. After failing her baccalaureate, she wrote this novel when she was eighteen years old and it became the novel that all her other works would be measured against.. . .
Every month Three Percent features an independent bookstore. This month’s featured bookstore is Skylight Books