14 July 14 | Kaija Straumanis

The latest addition to our Reviews section is by Tiffany Nichols on César Aira’s Conversations, translated by Katherine Silver and out from New Directions.

After a wild World Cup of Literature ride, what better way to wind down or frustrations or victorious cries than to talk about them (or bite each other over them)? And because I lack the attention span to get all existential and tie the title of Conversations to something deep and meaningful—and because I happen to have a bit more self dignity than usual today: just look at the brightly colored word bubbles bleeding into each other. Aren’t you mesmerized?

Anyway, here’s the beginning of Tiffany’s review:

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a uniquely bogus set of facts that feels as realistic as waking up each morning and going to work, despite their fantastical and unrealistic qualities.

The protagonist opens the work by telling us that he entertains himself by remembering the daily conversations he has had with his friends. Each night, he relives those conversations while drifting off to sleep. His life goal is focused on engaging in a level of conversation that is “consistently high” to the point of obsession, leaving the reader truly concerned for his mental health.

Once the protagonist’s world is established, Aira dives into a conversation between the protagonist and his friend about a movie shown on television. The ones “they show on cable channels without commercial interruptions” prevents the viewer time to run to the restroom or kitchen, resulting in voids in the story lines which are imperative to the plot of the forgettable film. From here, the protagonist has a debate over the film starring a poor man with a Rolex watch. The protagonist’s position is that the Rolex is an atrocity to the realism of the film, while the friend argues that this is merely a minor point to be ignored. The friend posits that the protagonist should just suspend reality. Of course, this is an impossibility to the protagonist since conversations and their accuracy are of the utmost importance to him.

For the rest of the piece, go here.


Comments are disabled for this article.
....
Colorless Tsukuru and His Years of Pilgrimage
Colorless Tsukuru and His Years of Pilgrimage by Haruki Murakami
Reviewed by Will Eells

Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .

Read More >

The Matiushin Case
The Matiushin Case by Oleg Pavlov
Reviewed by Brandy Harrison

The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .

Read More >

Fear: A Novel of World War I
Fear: A Novel of World War I by Gabriel Chevallier
Reviewed by Paul Doyle

One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .

Read More >

Little Grey Lies
Little Grey Lies by Hédi Kaddour
Reviewed by P. T. Smith

In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .

Read More >

Autobiography of a Corpse
Autobiography of a Corpse by Sigizmund Krzhizhanovsky
Reviewed by Simon Collinson

One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .

Read More >

A Musical Hell
A Musical Hell by Alejandra Pizarnik
Reviewed by Vincent Francone

The best way to review Alejandra Pizarnik’s slim collection, A Musical Hell, published by New Directions as part of their Poetry Pamphlet series, is to begin by stating that it is poetry with a capital P: serious, dense, and, some. . .

Read More >

Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >