29 August 14 | Kaija Straumanis

The latest addition to our Reviews section is by Brandy Harrison on Oleg Pavlov’s The Matiushin Case, translated by Andrew Bromfield, and published by And Other Stories.

A lover of foreign literature (particularly from Eastern Europe and Russia) Brandy—a new addition to our reviewer pool—recently finished a BA in English Language and Literature at Brock University in St. Catharines, Ontario, and will be starting her MA this fall at Queen’s University, Kingston.

Here’s the beginning of her review:

The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious living. Predictably enough, The Matiushin Case is nothing like Crime and Punishment, although anyone familiar with Russian literature can see how Pavlov gamely attempts to tick off certain boxes that are often associated with Serious Russian Themes: the unflinching examination of even the darkest corners of human existence, the exploration of wider social themes and problems through the careful depiction of individual experience, all heralded by a Biblical epigraph—“Am I my brother’s keeper?”—to signal the novel’s soul-searching, philosophical designs. For anyone who loves Russian literature, as I do, all of these elements are entirely welcome, but in Pavlov’s hands, the results are often mixed.

The Matiushin Case follows the relentlessly miserable life of the titular protagonist, from his troubled childhood in the shadow of his domineering father, Grigorii, and his rebellious elder brother, Yakov, to his experiences as a young man in the Soviet army. Much of the novel’s plot, such as it is, simply follows Matiushin as he sinks further and further into the deadening routine and violence of army life, first through his initiation and training, then his stint in an army hospital, and on through his life as a prison guard. This led me to consider that a more accurate comparison to Dostoevsky—if there really has to be one—would be to The House of the Dead, that wonderfully strange hybrid of memoir and fiction based on Dostoevsky’s life in a Siberian prison. This reflects the greatest strength of Pavlov’s novel, for the impression created by his detailed depictions of Matiushin’s daily struggles lend a rather haunting and bleak atmosphere to the work as a whole, offering the reader a truly vivid snapshot of army life in the declining years of the USSR.

For the rest of the review, go here


Comments are disabled for this article.
....
The Seven Good Years
The Seven Good Years by Etgar Keret
Reviewed by Vincent Francone

It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .

Read More >

Human Acts
Human Acts by Han Kang
Reviewed by J.C. Sutcliffe

Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .

Read More >

Nowhere to Be Found
Nowhere to Be Found by Bae Suah
Reviewed by Pierce Alquist

It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .

Read More >

La paz de los vencidos
La paz de los vencidos by Jorge Eduardo Benavides
Reviewed by Brendan Riley

Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .

Read More >

Souffles-Anfas: A Critical Anthology
Souffles-Anfas: A Critical Anthology by Various
Reviewed by Emma Ramadan

Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .

Read More >

Berlin
Berlin by Aleš Šteger
Reviewed by Vincent Francone

Randall Jarrell once argued a point that I will now paraphrase and, in doing so, over-simplify: As a culture, we need book criticism, not book reviews. I sort of agree, but let’s not get into all of that. Having finished. . .

Read More >

The Gun
The Gun by Fuminori Nakamura
Reviewed by Will Eells

Like any good potboiler worth its salt, Fuminori Nakamura’s The Gun wastes no time setting up its premise: “Last night, I found a gun. Or you could say I stole it, I’m not really sure. I’ve never seen something so. . .

Read More >

This Place Holds No Fear
This Place Holds No Fear by Monika Held
Reviewed by Lori Feathers

Heiner Resseck, the protagonist in Monika Held’s thought-provoking, first novel, This Place Holds No Fear, intentionally re-lives his past every hour of every day. His memories are his treasures, more dear than the present or future. What wonderful past eclipses. . .

Read More >

The Room
The Room by Jonas Karlsson
Reviewed by Peter Biello

If you’ve ever worked in a corporate office, you’ve likely heard the phrase, “Perception is reality.” To Björn, the office worker who narrates Jonas Karlsson’s novel The Room, the reality is simple: there’s a door near the bathroom that leads. . .

Read More >

Thérèse and Isabelle
Thérèse and Isabelle by Violette Leduc
Reviewed by Kaija Straumanis

I recently listened to Three Percent Podcast #99, which had guest speaker Julia Berner-Tobin from Feminist Press. In addition to the usual amusement of finally hearing both sides of the podcast (normally I just hear parts of Chad’s side. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >