Today at DEMOfall 08, Plastic Logic revealed a pretty damn slick looking e-reader that could (in theory) end up competing with the Kindle—especially in terms of business users.
As you can see in this video the reader is a 8 1/2” x 11” full-sized reading touch-screen that’s about the size of a notebook. It’s much bigger and sleeker than the Kindle, and allows for easy transfer of all Office documents, PDFs, etc. You can even annotate documents by drawing with your fingers or using a pop-up keyboard. And when you do this, the file is automatically saved as a revised PDF or Word file or whatever . . .
For business functions, this actually seems pretty cool. Using Bluetooth someone at a meeting can provide everyone with a PowerPoint file or a different report. (Although there’s no word on whether this will help make PowerPoint demonstrations aesthetically palatable—probably not.)
In terms of regular readers though, this thing is miles away from supplanting the Kindle. Until it can wirelessly access hundreds of thousands of books, it’s actually a pretty awkward devise. Something that’s less convenient to carry than a book, that’s more difficult to read (at least in terms of fiction, because who really likes reading literature in a full-page format? Aside from slush pile reading interns, that is), and is primarily geared to only presenting your own files. . . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .