This originally appeared on the Frankfurt Book Fair blog.
This past spring I was fortunate enough to be able to participate in a Editors’ Week in Buenos Aires. It was an amazing experience, solidifying my lifelong interest in Argentine literature, and giving me a once-in-a-lifetime chance to visit the place where many of my favorite books are set. I also met a lot great people, and found out about a lot great authors. So personally, I’m very excited to see what Argentina does when it’s the Guest of Honor at the Frankfurt Book Fair 2010, which, in a way, the events taking place this year are building up to.
Fundacion TyPA (the same organization that sponsors the editorial trips) are putting on two key events this week, both entitled “Argentinean Publishing Inside-Out.” The first took place this afternoon, featuring European publishers talking about Argentinean books. And on Friday, the counterpart panel takes place with Argentinean publishers talking about the contemporary scene.
Geoff Mulligan, Dominique Bourgois, and Michi Strausfeld, were there today to talk about Argentinean translations they’d published. Geoff emphasized the need to find a great translator (editing a bad translation consumes more time than any of us have), while Dominique had a fantastic quote about how “publishing is a network of writers and a network of friends”.
She said that in relation to a question about how to find Argentinean authors, a question that allowed Gabriela Adamo from TyPA to present their new (first?) catalog of “30 Great Authors from Argentina.” This booklet – actually, it’s a set of 30 envelope-sized cards with info about each author in Spanish and English collected into a cardboard slipcover – is incredibly appealing and very informative. Rather than highlight the Cortazars and Borges and Macedonios of Argentine lit, none of the 30 authors included have been translated into English. Some of the authors are very young, some more established, all very interesting. You can pick up a copy of this catalog at Hall 5.1 E 955.
Note: TyPA will be sending me a pdf of the special brochure/trading cards they made for Frankfurt, and I’ll post it here as soon as possible.
Paul Klee’s Boat, Anzhelina Polonskaya’s newest bilingual collection of poems available in English, is an emotional journey through the bleakest seasons of the human soul, translated with great nuance by Andrew Wachtel. A former professional ice dancer(!), Polonskaya left the. . .
In Seiobo There Below, Lázló Krasznahorkai is able to succeed at a task at which many writers fail: to dedicate an entire novel to a single message, to express an idea over and over again without falling into repetition or. . .
There are curious similarities in three Italian mystery series, written by Maurizio de Giovanni, Andrea Camilleri, and Donna Leon.1
They’re all police procedurals, and all set in Italy: Naples, Sicily, Venice.
The three protagonists are Commissarios: Luigi Ricciardi, Salvo. . .
Poetry always has the feel of mysticism and mystery, or maybe this feeling is a stereotype left over from high school literature class. It is generally the result of confusion, lack of time committed to consuming the poetry, and the. . .
Our Lady of the Flowers, Echoic is not only a translation, but a transformation. It is a translation of Jean Genet’s novel Notre Dame des Fleurs, transmuted from prose to poetry. Originally written in prison as a masturbatory aid (Sartre. . .
Equal parts stoner pulp thriller and psycho-physiological horror story, a pervasive sense of dread mixes with a cloud of weed smoke to seep into every line of the disturbing, complex Under This Terrible Sun. Originally published by illustrious Spanish publishers. . .
From the start, Daniel Canty’s Wigrum, published by Canadian press Talonbooks, is obviously a novel of form. Known also as a graphic designer in Quebec, Canty takes those skills and puts them towards this “novel of inventory” and creates a. . .
Throughout his career—in fact from his very first book, Where the Jackals Howl (1965)—the renowned Israeli writer Amos Oz has set much of his fiction on the kibbutz, collective communities he portrays as bastions of social cohesion and stultifying conformity. . .
Antoon gives us a remarkable novel that in 184 pages captures the experience of an Iraqi everyman who has lived through the war with Iran in the first half of the 1980s, the 1991 Gulf War over the Kuwaiti invasion,. . .
Every fictional work set in L.A. begins with a slow crawl through its streets in the early hours of the morning right after sunrise. Maybe it’s always done this way to emphasize the vast sprawl of the city and highlight. . .