This originally appeared on the Frankfurt Book Fair blog.
This past spring I was fortunate enough to be able to participate in a Editors’ Week in Buenos Aires. It was an amazing experience, solidifying my lifelong interest in Argentine literature, and giving me a once-in-a-lifetime chance to visit the place where many of my favorite books are set. I also met a lot great people, and found out about a lot great authors. So personally, I’m very excited to see what Argentina does when it’s the Guest of Honor at the Frankfurt Book Fair 2010, which, in a way, the events taking place this year are building up to.
Fundacion TyPA (the same organization that sponsors the editorial trips) are putting on two key events this week, both entitled “Argentinean Publishing Inside-Out.” The first took place this afternoon, featuring European publishers talking about Argentinean books. And on Friday, the counterpart panel takes place with Argentinean publishers talking about the contemporary scene.
Geoff Mulligan, Dominique Bourgois, and Michi Strausfeld, were there today to talk about Argentinean translations they’d published. Geoff emphasized the need to find a great translator (editing a bad translation consumes more time than any of us have), while Dominique had a fantastic quote about how “publishing is a network of writers and a network of friends”.
She said that in relation to a question about how to find Argentinean authors, a question that allowed Gabriela Adamo from TyPA to present their new (first?) catalog of “30 Great Authors from Argentina.” This booklet – actually, it’s a set of 30 envelope-sized cards with info about each author in Spanish and English collected into a cardboard slipcover – is incredibly appealing and very informative. Rather than highlight the Cortazars and Borges and Macedonios of Argentine lit, none of the 30 authors included have been translated into English. Some of the authors are very young, some more established, all very interesting. You can pick up a copy of this catalog at Hall 5.1 E 955.
Note: TyPA will be sending me a pdf of the special brochure/trading cards they made for Frankfurt, and I’ll post it here as soon as possible.
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .
Last year, NYRB Classics introduced English-language readers to Catalan writer Josep Pla with Peter Bush’s translation of The Gray Notebook. In that book, Pla wrote about life in Spain during an influenza outbreak soon after World War I, when. . .
“Your bile is stagnant, you see sorrow in everything, you are drenched in melancholy,” my friend the doctor said.
bq. “Isn’t melancholy something from previous centuries? Isn’t some vaccine against it yet, hasn’t medicine taken care of it yet?” I. . .
What to make of Vano and Niko, the English translation of Erlom Akhvlediani’s work of the same name, as well as the two other short books that comprise a sort of trilogy? Quick searches will inform the curious reader that. . .