This originally appeared on the Frankfurt Book Fair blog.
This past spring I was fortunate enough to be able to participate in a Editors’ Week in Buenos Aires. It was an amazing experience, solidifying my lifelong interest in Argentine literature, and giving me a once-in-a-lifetime chance to visit the place where many of my favorite books are set. I also met a lot great people, and found out about a lot great authors. So personally, I’m very excited to see what Argentina does when it’s the Guest of Honor at the Frankfurt Book Fair 2010, which, in a way, the events taking place this year are building up to.
Fundacion TyPA (the same organization that sponsors the editorial trips) are putting on two key events this week, both entitled “Argentinean Publishing Inside-Out.” The first took place this afternoon, featuring European publishers talking about Argentinean books. And on Friday, the counterpart panel takes place with Argentinean publishers talking about the contemporary scene.
Geoff Mulligan, Dominique Bourgois, and Michi Strausfeld, were there today to talk about Argentinean translations they’d published. Geoff emphasized the need to find a great translator (editing a bad translation consumes more time than any of us have), while Dominique had a fantastic quote about how “publishing is a network of writers and a network of friends”.
She said that in relation to a question about how to find Argentinean authors, a question that allowed Gabriela Adamo from TyPA to present their new (first?) catalog of “30 Great Authors from Argentina.” This booklet – actually, it’s a set of 30 envelope-sized cards with info about each author in Spanish and English collected into a cardboard slipcover – is incredibly appealing and very informative. Rather than highlight the Cortazars and Borges and Macedonios of Argentine lit, none of the 30 authors included have been translated into English. Some of the authors are very young, some more established, all very interesting. You can pick up a copy of this catalog at Hall 5.1 E 955.
Note: TyPA will be sending me a pdf of the special brochure/trading cards they made for Frankfurt, and I’ll post it here as soon as possible.
“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
César Aira dishes up an imaginative parable on how identity shapes our sense of belonging with Dinner, his latest release in English. Aira’s narrator (who, appropriately, remains nameless) is a self-pitying, bitter man—in his late fifties, living again with. . .
Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
Who is this woman? This is the question that opens Xiao Bai’s French Concession, a novel of colonial-era Shanghai’s spies and revolutionaries, police and smugglers, who scoot between doorways, walk nonchalantly down avenues, smoke cigars in police bureaus, and lounge. . .
For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
Linn Ullmann’s The Cold Song, her fifth novel, is built much like the house about which its story orbits: Mailund, a stately white mansion set in the Norwegian countryside a few hours drive from Oslo. The house, nestled into the. . .
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .