This project was announced a while back, but with the start date one week away, it’s worth mentioning once again. Sponsored by the Institute for the Future of the Book (with funding from the Arts Council England), The Golden Notebook Project is an online experiment in collaborative close reading:
The seven women listed below will read Doris Lessing’s The Golden Notebook and carry on a conversation in the margins. The seven readers will also record their reactions to the process in a group blog. There is also a public forum in which everyone who is reading along and following the conversation can post their comments on the book and the process itself.
According to Bob Stein:
The idea for the project arose out of my experience re-reading the novel in the summer of 2007 just before Lessing won the Nobel Prize for literature. The Golden Notebook was one of the two or three most influential books of my youth and I decided I wanted to “try it on” again after so many years. It turned out to be one of the most interesting reading experiences of my life. With an interval of thirty-seven years the lens of perception was so different; things that stood out the first-time around were now of lesser importance, and entire themes I missed the first time came front and center. When I told my younger colleagues what I was reading, I was surprised that not one of them had read it, not even the ones with degrees in English literature. It occurred to me that it would be very interesting to eavesdrop on a conversation between two readers, one under thirty, one over fifty or sixty, in which they react to the book and to each other’s reactions. And then of course I realized that we now actually have the technology to do just that.
This promises to be an interesting experiment in online collaboration. In the past Words Without Borders has sponsored many online book discussion groups (I’ve moderated a couple, as has Michael Orthofer and many others), but this is somewhat different. Having seven people signed up from the start makes a huge difference (one of the problems we ran into was getting readers to chime in with their own opinions), as will the fact that the site/blog is exclusively dedicated to The Golden Notebook. It’ll be interesting to see how this works out . . .
And worth noting: as mentioned on the site, this isn’t an experiment in reading online—if you plan on participating, you’ll want to buy a print copy of the book beforehand.
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .