7 January 09 | Chad W. Post

From the New York Observer:

Drenka Willen was just one of many individuals—including one woman seven months pregnant and another on maternity leave—to be hastily laid off last month from Houghton Mifflin Harcourt amid budget cuts. She is, however, the only one among them whom the severely troubled company’s CEO, Tony Lucki, has since asked to please come back. [. . .]

Ms. Willen, now 79, edited an improbable number of Nobel Prize winners over the course of her career, and accumulated a startling list of foreign luminaries that included Günter Grass, Umberto Eco, José Saramago, Amos Oz and Wislawa Szymborska.

Mr. Grass was apparently moved to tell Mr. Lucki exactly what a big mistake he had made by asking Ms. Willen to leave. According to several sources, Mr. Grass drafted a letter asking for an explanation, and had something like eight of the authors in Ms. Willen’s stable—Mr. Eco, Mr. Saramago and Ms. Szymborska among them—sign it in solidarity.

Though it’s unclear what role Mr. Grass’s letter had in Mr. Lucki’s decision to offer Ms. Willen her job back—Mr. Lucki did not respond to requests for an interview, and HMH publicity director Lori Glazer would not comment beyond confirming that Ms. Willen had returned to work—it is said to have been delivered about a week after Becky Saletan, who had just announced her resignation as Houghton Mifflin Harcourt’s publisher, visited her at home in Soho on the day now known as “Black Wednesday” to inform her of her firing.

I have to say that this is pretty amazing. I’ve never heard of something like this happening, and although Lucki won’t speak about it, I’m willing to bet that Grass’s letter had a wee bit of an impact on his “rethinking” of the situation . . . (Or maybe thinking for the first time about the situation and the impending loss of some of the greatest writers of the past century.)

I also like the fact that Drenka will “spend the next several months working from her home to tie up loose ends in preparation for a proper retirement.” Yeah, HMH fired a legend who was about to retire. Glad someone developed a conscience there and are letting Drenka leave on her own terms, after seeing her books (especially the retranslation of Grass’s Tin Drum) through to completion.


Comments are disabled for this article.
....
The Matiushin Case
The Matiushin Case by Oleg Pavlov
Reviewed by Brandy Harrison

The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .

Read More >

Fear: A Novel of World War I
Fear: A Novel of World War I by Gabriel Chevallier
Reviewed by Paul Doyle

One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .

Read More >

Little Grey Lies
Little Grey Lies by Hédi Kaddour
Reviewed by P. T. Smith

In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .

Read More >

Autobiography of a Corpse
Autobiography of a Corpse by Sigizmund Krzhizhanovsky
Reviewed by Simon Collinson

One of the greatest services—or disservices, depending on your viewpoint—Bertrand Russell ever performed for popular philosophy was humanizing its biggest thinkers in his History. No longer were they Platonic ideals, the clean-shaven exemplars of the kind of homely truisms that. . .

Read More >

A Musical Hell
A Musical Hell by Alejandra Pizarnik
Reviewed by Vincent Francone

The best way to review Alejandra Pizarnik’s slim collection, A Musical Hell, published by New Directions as part of their Poetry Pamphlet series, is to begin by stating that it is poetry with a capital P: serious, dense, and, some. . .

Read More >

Astragal
Astragal by Albertine Sarrazin
Reviewed by Tiffany Nichols

Upon completing Albertine Sarrazin’s Astragal I was left to wonder why it ever fell from print. Aside from the location, Astragal could pass as the great American novel. Its edginess and rawness capture the angst and desires we all had. . .

Read More >

Live Bait
Live Bait by Fabio Genovesi
Reviewed by Megan Berkobien

When my eyes first crossed the back cover of Fabio Genovesi’s novel Live Bait, I was caught by a blurb nestled between accolades, a few words from a reviewer for La Repubblica stating that the novel was, however magically, “[b]eyond. . .

Read More >

The Skin
The Skin by Curzio Malaparte
Reviewed by Peter Biello

“I preferred the war to the plague,” writes Curzio Malaparte in his 1949 novel, The Skin. He speaks of World War II and the destruction it has wrought on Italy, the city of Naples in particular. But the plague he. . .

Read More >

Love Sonnets & Elegies
Love Sonnets & Elegies by Louise Labé
Reviewed by Brandy Harrison

With the steady rise of feminist scholarship and criticism in recent decades, it is little wonder that the work of Louise Labé should be attracting, as Richard Sieburth tells us in the Afterword to his translation, a “wide and thriving”. . .

Read More >

Conversations
Conversations by César Aira
Reviewed by Tiffany Nichols

In Conversations, we find ourselves again in the protagonist’s conscious and subconscious, which is mostly likely that of Mr. César Aira and consistent with prototypical Aira style. This style never fails because each time Aira is able to develop a. . .

Read More >

The next few events from our Translation Events Calendar: See More Events >