Attached below is all the necessary information and details for for anyone interested in applying for the Translation Lab at Writers Omi at Ledig House. A couple of our translators have participated in this in the past, and they absolutely loved it. So if you’re at all interested, you should definitely apply.
Writers Omi at Ledig House, a part of Omi International Arts Center, has been awarded a grant from Amazon.com to fund Translation Lab 2017, a 12-day special, intensive residency for four collaborating writer-translator teams in the fall of 2017.
Writers Omi will host four English language translators at the Omi International Arts Center for 12 days. These translators will be invited along with the writers whose work is being translated. All text-based projects—fiction, nonfiction, theater, film, poetry, etc.—are eligible.
This focused residency will provide an integral stage of refinement, allowing translators to dialogue with the writers about text-specific questions. It will also serve as an essential community-builder for English-language translators who are working to increase the amount of international literature available to English-language readers.
The dates for Translation Lab 2017 are November 8-19, 2017. All residencies are fully funded including: airfare, train transportation from New York City to Hudson, car transportation from Hudson to the Omi International Arts Center. Please note: accepted applicants must be available for the duration of the Translation Lab (November 8-19, 2017). Late arrivals and early departures are not possible. Please do not submit a proposal unless both parties involved (translator and writer) are available for all dates.
Writers Omi will be accepting proposals for participation until July 15, 2017. Translators, writers, editors, or agents can submit proposals. Each proposal should be no more than three pages in length and provide the following information:
- Brief biographical sketches for the translator and writer associated with each project
- Publishing status for proposed projects (projects that do not yet have a publisher are eligible)
- A description of the proposed project
- Contact information (physical address, email, and phone)
Proposals should be submitted only once availability for residency participation of the translator and writer has been confirmed. All proposals and inquiries should be sent directly to DW Gibson, director or Writers Omi at Ledig House at: firstname.lastname@example.org.
In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .
Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .
Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .
The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .
Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .
Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .
Jocelyne Saucier’s Twenty-One Cardinals is about the type of unique, indestructible, and often tragic loyalty only found in families. For a brief but stunningly mesmerizing 169 pages, Twenty-One Cardinals invited me in to the haunting and intimate world of the. . .
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .