The collection—which came out from New Directions earlier this year—covers Cardenal’s entire career, and Vincent has nothing but positive things to say about the book:
Readers of English, thank your gods: the breadth of Ernesto Cardenal’s amazing poetic career is now available for your consumption thanks to New Directions and the recently published Pluriverse. Spanning fifty-six years, the book presents Cardenal in all his guises: revolutionary, spiritualist, chronicler of man’s inhumanity to man, chilling visionary, and cosmic quasi-historian. The poems in this collection are often long, deceptively assessable, and quite dazzling.
They told me you were in love with another man
and then I went off to my room
and I wrote that article against the government
that landed me in jail.
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“Rambling Jack—what’s that?”
“A novel. Novella, I guess.”
“Yeah, it looks short. What is it, a hundred pages?”
“Sorta. It’s a duel language book, so really, only about… 50 pages total.”
“And this—what. . .
Many authors are compared to Roberto Bolaño. However, very few authors have the privilege of having a Roberto Bolaño quote on the cover of their work; and at that, one which states, “Good readers will find something that can be. . .
In Josep Maria de Sagarra’s Private Life, a man harangues his friend about literature while walking through Barcelona at night:
When a novel states a fact that ties into another fact and another and another, as the chain goes on. . .
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Originally published in French in 2007, We’re Not Here to Disappear (On n’est pas là pour disparaître) won the Prix Wepler-Fondation La Poste and the Prix Pierre Simon Ethique et Réflexion. The work has been recently translated by Béatrice Mousli. . .
Even though the latest from Jean Echenoz is only a thin volume containing seven of what he calls “little literary objects,” it is packed with surprises. In these pieces, things happen below the surface, sometimes both literally and figuratively. As. . .
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For the past 140 years, Anna Karenina has been loved by millions of readers all over the world. It’s easy to see why: the novel’s two main plots revolve around characters who are just trying to find happiness through love.. . .
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Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .