Our latest review is of Rex by Jose Manuel Prieto, translated from the Spanish by Esther Allen and published this month by Grove. This is the second book of Prieto’s that Grove has published—Nocturnal Butterflies of the Russian Empire came out a few years ago—and hopefully isn’t the last.
As you can probably tell from my review, this is one of the best books I’ve read this year.
It a more perfect world, I would have enough time to read this book at least one more time before even attempting to write this review. Rex is a novel that’s filthy with references to other novels, plays, essays, TV shows, works of art, etc. Even from the opening line—“I’ve been reading it for years, the one Book”—the reader is forced to start paying attention and deciphering the web of references that make up this novel. (Which is why it’s great that Grove decided to include an “Author’s Note” at the back of the finished edition detailing some of the allusions made in the work—more on that in a bit.)
As mentioned above, the novel opens with a somewhat obsessed opening paragraph all about Proust’s Remembrance of Things Past:
“I’ve been reading it for year, the one Book. Over and over without stopping. Beginning again whenever I reach the final description of the vast party, the inaugural ball, returning immediately to the first words, when he’s dozing off in the house in Combray and dreams of stopping time in its tracks, solidifying it. I’ve opened it at random in ship terminals (Helsinki), English pubs, Istanbul cafes. Each and every time, without fail, I’ve been stunned by the intelligence, the penetration, the unique capacity to perceive things that escape every other writer.”
Click here for the full review.
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .
Floating around the internet amid the hoopla of a new Haruki Murakami release, you may have come across a certain Murakami Bingo courtesy of Grant Snider. It is exactly what it sounds like, and it’s funny because it’s true,. . .
The publisher’s blurb for Oleg Pavlov’s The Matiushin Case promises the prospective reader “a Crime and Punishment for today,” the sort of comparison that is almost always guaranteed to do a disservice to both the legendary dead and the ambitious. . .
One hundred years have passed since the start of World War I and it is difficult to believe that there are still novels, considered classics in their own countries, that have never been published in English. Perhaps it was the. . .
In the London of Hédi Kaddour’s Little Grey Lies, translated by Teresa Lavender Fagan, peace has settled, but the tensions, fears, and anger of the Great War remain, even if tucked away behind stories and lies. Directly ahead, as those. . .