27 April 09 | Chad W. Post

The recipients of this year’s PEN Translation Fund Awards were announced last week, and once again, a number of really interesting projects are highlighted—including a number that are still looking for a publishers . . .

For those unfamiliar with the prize, this was established in 2003 thanks to an anonymous gift of some $730,000 and every year ten or so translators receive $2,000-$5,000 for a project they are working on. These projects don’t need to have a publisher already, and since translators apply directly, the Fund receives approx. 130 applications each year. (Almost half as many applications as the number of translations published in the U.S. . . .)

Anyway, here are this year’s winners:

Eric Abrahamsen for My Spiritual Homeland by Wang Xiaobo (1952-1997), a collection of penetrating, funny and breathtakingly frank essays written fifteen years after the Cultural Revolution by one of China’s most insightful and controversial writers. (No publisher)

Mee Chang for Garden of Youth (1981) by Oh Junghee, a series of powerful stories that center on the struggles of domestic life during the Korean War, by a writer widely recognized as the master of the Korean short story. (No publisher)

Robyn Creswell for The Clash of Images (1995) by Abdelfattah Kilito, a hybrid bildungsroman, written in French, set in the medina of an unnamed Moroccan city. Growing up in a traditional world where the image is taboo, the protagonist is seduced by new American technologies of the image. (No publisher)

Brett Foster for Elemental Rebel: The Rime of Cecco Angiolieri (1260-1310?), a selection of impudent sonnets by a Sienese rival of Dante with a penchant for parodic wordplay. (Forthcoming from Princeton University Press)

Geoffrey Michael Goshgarian for The Remnants by Hagop Oshagan (1883-1948), a historical novel widely considered one of the greatest masterpieces of Armenian literature, written in the early 1930s “to save what remained of our people.” (No publisher)

Tess Lewis for That Didn’t Reassure the Children (2006) by Alois Hotschnig, a collection of disquieting stories about the mystery, fluidity and perils of intimacy, by a prize-winning Austrian writer renowned for his stylistic virtuosity. (No publisher)

Fayre Makeig for Mourning (2006), a selection of free verse poems by H.E. Sayeh, an eminent contemporary Iranian poet whose life and work span many of Iran’s political, cultural and literary upheavals. “Tell us, heaven, why the rain / pours from your eyes…” (No publisher)

Arvind Krishna Mehrotra for Poems of Kabir, a selection of 60 Hindi padas (songs) by India’s legendary mystic poet saint (1398?-1448?) who opposed all religious and social orthodoxies and oppositions. “But I’m wasting my time, / Says Kabir, / Even death’s bludgeon / About to crush your head / Won’t wake you up.” (No publisher)

Frederika Randall for Deliver Us from Evil by Luigi Meneghello (1922-2007), a darkly original memoir, ordered by theme rather than chronology, set in rural Italy when the Church and Il Duce ruled. The savage immediacy of childhood perception combines with amused and astutely ironic insights in an unsentimental human comedy. (No publisher)

Daniel Shapiro for Missing Persons, Animals and Artists (1999) by Roberto Ransom, a short story collection by an acclaimed young Mexican writer which explores the enigmas of art and the creative process with gentle irony and whimsical, at times fantastical, premises. (No publisher)

Chantal Wright for A Handful of Water (2008), poems written in German by Tzveta Sofronieva, a young Bulgarian-born poet, trained as a physicist and science historian, who also writes in Bulgarian and English. Joseph Brodsky said of her, “Listen carefully… She has something to say.” (No publisher)

Congratulations to all the winners, and I’m especially pleased to see Tess Lewis, Eric Abrahamsen of Paper-Republic) and Daniel Shapiro of the Americas Society. The unsigned books on this list usually find a publisher within days, so it’s possible this is already out of date . . . Which is great for the translators and authors, and means that I really have to get moving on contacting the right people about the projects that sound most interesting to me . . .


Comments are disabled for this article.
....
A Greater Music
A Greater Music by Bae Suah
Reviewed by Pierce Alquist

A Greater Music is the first in a line of steady and much-anticipated releases by Bae Suah from key indie presses (this one published by Open Letter). Building off of the interest of 2016 Best Translated Book Award longlist nominee. . .

Read More >

Two Lost Souls: on "Revulsion" and "Cabo De Gata"
Two Lost Souls: on "Revulsion" and "Cabo De Gata" by Horacio Castellanos Moya; Eugen Ruge
Reviewed by Tim Lebeau

The dislocation of individuals from the countries of their birth has long been a common theme in contemporary literature. These two short novels recently translated into English appear firmly rooted in this tradition of ex-pat literature, but their authors eschew. . .

Read More >

Melancholy
Melancholy by László Földényi
Reviewed by Jason Newport

In Melancholy, Hungarian author, critic, and art theorist László Földényi presents a panorama of more than two thousand years of Western historical and cultural perspectives on the human condition known as melancholia. In nine chapters, Földényi contrasts the hero worship. . .

Read More >

The Hatred of Music
The Hatred of Music by Pascal Quignard
Reviewed by Jeanne Bonner

Pascal Quignard’s __The Hatred of Music_ is the densest, most arcane, most complex book I’ve read in ages. It’s also a book that covers a topic so basic, so universal—almost primordial—that just about any reader will be perversely thrilled by. . .

Read More >

Fragile Travelers
Fragile Travelers by Jovanka Živanović
Reviewed by Damian Kelleher

In Gustave Flaubert’s Madame Bovary, Flaubert attempted to highlight the ordinary, tired, and often crass nature of common expressions by italicising them within the text. When Charles, Emma Bovary’s mediocre husband, expresses himself in a manner akin to that of. . .

Read More >

Nineteen Ways of Looking at Wang Wei
Nineteen Ways of Looking at Wang Wei by Eliot Weinberger
Reviewed by Russell Guilbault

Eliot Weinberger takes big strides across literary history in his genuinely breathtaking short work, 19 Ways of Looking at Wang Wei, tracking translations of a short ancient Chinese poem from the publication of Ezra Pound’s Cathay in 1915 to Gary. . .

Read More >

Radio: Wireless Poem in Thirteen Messages
Radio: Wireless Poem in Thirteen Messages by Kyn Taniya
Reviewed by Vincent Francone

Prose translators will likely disagree, but I believe translating poetry requires a significant level of talent, a commitment to the text, and near mania, all of which suggests that the undertaking is the greatest possible challenge. The task is to. . .

Read More >

The Subsidiary
The Subsidiary by Matías Celedón
Reviewed by Vincent Francone

The biggest issues with books like The Subsidiary often have to do with their underpinnings—when we learn that Georges Perec wrote La Disparition without once using the letter E, we are impressed. Imagine such a task! It takes a high. . .

Read More >

Thus Bad Begins
Thus Bad Begins by Javier Marías
Reviewed by Kristel Thornell

Following The Infatuations, Javier Marías’s latest novel seems, like those that have preceded it, an experiment to test fiction’s capacity to mesmerize with sombre-sexy atmospheres and ruminative elongated sentences stretched across windowless walls of paragraphs. Thus Bad Begins offers his. . .

Read More >

Death by Water
Death by Water by Kenzaburo Oe
Reviewed by Will Eells

Death by Water, Kenzaburo Oe’s latest novel to be translated into English, practically begs you to read it as autobiography. Like The Changeling, as well as many other works not yet released in English, Death by Water is narrated in. . .

Read More >