Over the next few days, we’re going to highlight a few of the goings on at this year’s BookExpo America, the parties, the panels, etc. I thought I’d start out by highlighting the two events taking place next Friday and Saturday featuring the Arab world, this year’s Global Market Forum focus. Both of these events are open to the public, and are definitely worth checking out.
The Thousand and One Nights
7:00PM, Friday, May 29
Goethe Institute New York Wyoming Building, 5 East 3rd Street
Muhsin Al-Musawi presents his new book, Amal Al-Jubouri reads Arabic and European remixes of “The Thousand and One Nights” (English/German/Arabic) organized by the Berlin-based cultural association west-östlicher diwanh.
New Eyes on the Arab World—Breaking Down Barriers of Fear and Prejudice
7:00PM, Saturday, May 30
The New York Public Library, 42nd Street
Peter Theroux, Raja Alem, Tom McDonough, Muhammed Al Mur & Joe Sacco with Sulaiman Al Hattlan, moderator
Five writers, Arab and American, who have taken innovative approaches to portraying the Arab World to an American audience discuss the challenges they have faced and the successes they have achieved in breaking down the barriers of fear and prejudice through their work. Whether through travelogue, memoir, graphic novel, children’s literature or translation, these writers have widened the lens and sharpened the focus of American readers’ view, setting a new precedent for sensitivity, creativity and insight in literature about the Arab World.
Karel Schoeman’s Afrikaans novel, This Life, translated by Else Silke, falls into a genre maybe only noticed by the type of reader who tends toward Wittgenstein-type family resemblances. The essential resemblance is an elderly narrator, usually alone—or with one other. . .
In Joris-Karl Hyusmans’s most popular novel, À rebours (Against Nature or Against the Grain, depending on the which translated edition you’re reading), there is a famous scene where the protagonist, the decadent Jean des Esseintes, starts setting gemstones on the. . .
There are books that can only wisely be recommended to specific types of readers, where it is easy to know who the respective book won’t appeal to, and Kristiina Ehin’s Walker on Water is one these. What makes this neither. . .
Imagine the most baroque excesses of Goethe, Shakespeare, and Poe, blended together and poured into a single book: That is The Nightwatches of Bonaventura. Ophelia and Hamlet fall in love in a madhouse, suicidal young men deliver mournful and heartfelt. . .
In 1899, Maurice Ravel wrote “Pavane pour une infante défunte” (“Pavane for a Dead Princess”) for solo piano (a decade later, he published an orchestral version). The piece wasn’t written for a particular person; Ravel simply wanted to compose a. . .
Fiston Mwanza Mujila is an award-winning author, born in the Democratic Republic of Congo, who now, at 33, lives in Austria. From what I could find, much of his work is influenced by the Congo’s battle for independence and its. . .
Twenty-One Days of a Neurasthenic is not a novel in the traditional sense. Rather, it is a collection of vignettes recorded by journalist Georges Vasseur in his diary during a month spent in the Pyrenées Mountains to treat his nervous. . .
Founded in 1960 by such creative pioneers as George Perec, Raymond Queneau and Italo Calvino, the Oulipo, shorthand for Ouvroir de littérature potentielle, came about in when a group of writers and mathematicians sought constraints to find new structures and. . .
There’s little to say about a series of prose poems that willfully refuse to identify pronoun antecedents. Or perhaps there are a million things. The poems in Morse, My Deaf Friend— the chapbook by Miloš Djurdjević published by Ugly Duckling. . .
The Crimson Thread of Abandon is the first collection of short fiction available in English by the prolific Japanese writer and all-around avant-garde trickster Terayama Shūji, who died in 1983 at the age of 47. This collection would be important. . .