Last night the French-American Foundation and Gould Foundation held their annual translation prize ceremony, honoring Jody Gladding & Elizabeth Deshays in the fiction category for their translation of Small Lives by Pierre Michon (Archipelago) and Matthew Cobb & Malcolm Debevoise in nonfiction for their translation of Life Explained by Michel Morange (Yale University Press)
As Thomas Bishop pointed out in his opening remarks, it’s interesting that both winners were translated by a pair of translators. Not that this is necessarily good or bad, just interesting. He also gave a shout out to American university presses as one of the admirable publishing segments of the book business trying to do a lot of literature in translation.
Of the finalists for the nonfiction category, four of the five titles were published by university presses (the exception being Camus’s Notebooks that came out from Ivan R. Dee). The fiction category had a different make-up, but three of the six finalists were from independent presses (Archipelago, Europa Editions, and New York Review Books).
The event—which took place at the Century Association—was very well attended (standing room only!), filled with all the editors, agents, translators, and other cultural peoples involved in international lit. (Especially French literature. One of the cool things the FAF did, which I’ve never seen before, is hand out a printed list of all RSVPs, so attendees could see who else was supposedly there and seek them out . . . Actually sort of helpful for a reception of this sort, where you’re only one or two connections away from everyone else . . .
Antoine Volodine’s vast project (40 plus novels) of what he calls the post-exotic remains mostly untranslated, so for many of us, understanding it remains touched with mystery, whispers from those “who know,” and guesswork. That’s not to say that, were. . .
It hasn’t quite neared the pitch of the waiting-in-line-at-midnight Harry Potter days, but in small bookstores and reading circles of New York City, an aura has attended the novelist Elena Ferrante and her works. One part curiosity (Who is she?),. . .
From the late 1940s to the early 1950s, Egypt was going through a period of transition. The country’s people were growing unhappy with the corruption of power in the government, which had been under British rule for decades. The Egyptians’. . .
Miruna is a novella written in the voice of an adult who remembers the summer he (then, seven) and his sister, Miruna (then, six) spent in the Evil Vale with their grandfather (sometimes referred to as “Grandfather,” other times as. . .
Kamal Jann by the Lebanese born author Dominique Eddé is a tale of familial and political intrigue, a murky stew of byzantine alliances, betrayals, and hostilities. It is a well-told story of revenge and, what’s more, a serious novel that. . .
While looking back at an episode in his life, twenty-year-old Taguchi Hiro remembers what his friend Kumamoto Akira said about poetry.
Its perfection arises precisely from its imperfection . . . . I have an image in my head. I see. . .
The central concern of Sorj Chalandon’s novel Return to Killybegs appears to be explaining how a person of staunch political activism can be lead to betray his cause, his country, his people. Truth be told, the real theme of the. . .
Spoiler alert: acclaimed writer Stefan Zweig and his wife Lotte kill themselves at the end of Lauren Seksik’s 2010 novel, The Last Days.
It’s hard to avoid spoiling this mystery. Zweig’s suicide actually happened, in Brazil in 1942, and since then. . .
To call Kjell Askildsen’s style sparse or terse would be to understate just how far he pushes his prose. Almost nothing is explained, elaborated on. In simple sentences, events occur, words are exchanged, narrators have brief thoughts. As often as. . .
After a mysterious woman confesses to an author simply known as “R” that she has loved him since she was a teenager, she offers the following explanation: “There is nothing on earth like the love of a child that passes. . .