The latest addition to our reviews section is a piece by Timothy Jourdan on Annie Ernaux’s The Possession, which is translated from the French by Anna Moschovakis and recently published by Seven Stories.
Here’s the start of the review:
Over the past decade, Seven Stories has brought out a number of Annie Ernaux titles, including A Man’s Place, A Woman’s Story, and A Simple Passion to great critical acclaim. The Possession, which was originally published in France in 2002, is the most recent title of hers to be beautifully rendered in English by Anna Moschovakis (who also translated Georges Simenon’s _The Engagement).
This is a very slim novel, a precise, almost objective depiction of a woman’s jealousy post-love affair, when after breaking up with her boyfriend of the past six years, she finds out that he’s moving in with another woman.
“This woman filled my head, my chest, and my gut; she was always with me, she took control of my emotions. At the same time, her omnipresence gave my life a new intensity. It produced stirrings that I had never felt before, released a kind of energy, powers of imagination I didn’t know I had; it held me in a state of constant, feverish activity.
“I was, in both senses of the word, possessed.”
Click here for the full review.
We know so very little; so little that what we think to be knowledge is hardly worth reckoning with at all; instead we ought to settle for being pleasantly surprised if, on the edge of things, against all expectations, our. . .
Many of Virginie Despentes’s books revolve around the same central idea: “To be born a woman [is] the worst fate in practically every society.” But this message is nearly always packaged in easy-to-read books that fill you with the pleasure. . .
Ilja Leonard Pfeijffer’s La Superba is appropriately titled after the Italian city of Genoa, where, after escaping the pressures of fame in his own country, the semi-autobiographical narrator finds himself cataloguing the experiences of its mesmerizing inhabitants with the intention. . .
It took reading 44 pages of Intervenir/Intervene before I began to get a sense of what Dolores Dorantes and Rodrigo Flores Sánchez were up to. Recurring throughout these 44 pages—throughout the entire book—are shovels, shovel smacks to the face, lobelias—aha!. . .
As presaged by its title, contradiction is the theme of Peter Stamm’s novel, All Days Are Night. Gillian, a well-known television personality, remains unknowable to herself. And Hubert, a frustrated artist and Gillian’s lover, creates art through the process of. . .
It’s a rare and wonderful book that begins and ends with violence and humor. At the start of Etgar Keret’s The Seven Good Years, Keret is in a hospital waiting for the birth of his first child while nurses, in. . .
Last year, Han Kang’s The Vegetarian was an unexpected critical hit. Now, it’s just been published in the U.S. and has already received a great deal of positive critical attention. The Vegetarian was a bold book to attempt as an. . .
It’s been almost a year since the publication of Nowhere to Be Found by Bae Suah, but despite being included on the 2015 PEN Translation award longlist, and some pretty vocal support from key indie presses, the book has. . .
Jorge Eduardo Benavides’ novel La paz de los vencidos (The Peace of the Defeated) takes the form of a diary written by a nameless Peruvian thirty-something intellectual slumming it in Santa Cruz de Tenerife in Spain’s Canary Islands. Recently relocated. . .
Anyone with any interest at all in contemporary Moroccan writing must start with Souffles. A cultural and political journal, Souffles (the French word for “breaths”) was founded in 1966 by Abdellatif Laâbi and Mostafa Nissabouri. Run by a group of. . .